Statements (28)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:song
|
| gptkbp:album |
gptkb:Blonde_on_Blonde
|
| gptkbp:artist |
gptkb:Bob_Dylan
|
| gptkbp:B-side |
Side 1 (US release)
|
| gptkbp:coveredBy |
gptkb:Grateful_Dead
gptkb:Robyn_Hitchcock gptkb:Chris_Smither |
| gptkbp:criticalReception |
Regarded as one of Dylan's greatest songs
|
| gptkbp:genre |
Folk rock
|
| https://www.w3.org/2000/01/rdf-schema#label |
Visions of Johanna
|
| gptkbp:influenced |
Praised by Allen Ginsberg
|
| gptkbp:label |
gptkb:Columbia_Records
|
| gptkbp:length |
7:33
|
| gptkbp:liveDebut |
December 1965
|
| gptkbp:notableFor |
"Inside the museums, Infinity goes up on trial"
"Louise, she’s all right, she’s just near" |
| gptkbp:originalTitle |
gptkb:Seems_Like_a_Freeze-Out
|
| gptkbp:producer |
gptkb:Bob_Johnston
|
| gptkbp:rank |
gptkb:Rolling_Stone's_500_Greatest_Songs_of_All_Time
|
| gptkbp:recordedAt |
gptkb:Nashville,_Tennessee
February 1966 |
| gptkbp:releaseYear |
1966
|
| gptkbp:theme |
Alienation
Longing Romantic frustration |
| gptkbp:writer |
gptkb:Bob_Dylan
|
| gptkbp:bfsParent |
gptkb:Blonde_on_Blonde
|
| gptkbp:bfsLayer |
6
|