|
gptkbp:instance_of
|
gptkb:Person
gptkb:Clinical_Trials
gptkb:film
|
|
gptkbp:aspect_ratio
|
1.66:1
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:streaming_platforms
|
|
gptkbp:award
|
gptkb:César_Award_for_Best_Actress
|
|
gptkbp:based_on
|
true story
|
|
gptkbp:born
|
February 24, 1915
|
|
gptkbp:born_in
|
gptkb:Paris,_France
|
|
gptkbp:born_on
|
February 24, 1915
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
gptkb:M._Nozière
gptkb:Mme_Nozière
gptkb:Violette_Nozière
gptkb:Inspector
gptkb:lawyer
|
|
gptkbp:cinematography_by
|
Jean Penzer
|
|
gptkbp:clinical_trial
|
Violette Nozière trial
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:convicted_of
|
gptkb:murder
Manslaughter
20 years in prison
|
|
gptkbp:costume_design
|
gptkb:Micheline_Rozan
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influential film
|
|
gptkbp:defending_champion
|
lawyer Georges Lemaître
|
|
gptkbp:depicted_in
|
gptkb:documentaries
|
|
gptkbp:design
|
Jean-Pierre Dusséaux
|
|
gptkbp:died
|
January 17, 1966
|
|
gptkbp:died_on
|
January 16, 1966
|
|
gptkbp:director
|
gptkb:Jacques_Rouffio
|
|
gptkbp:distributor
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:edited_by
|
Yvonne Martin
|
|
gptkbp:film_editing
|
Yvonne Martin
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_length
|
100 minutes
|
|
gptkbp:film_score
|
not rated
|
|
gptkbp:filming_location
|
gptkb:France
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:had_a_trial_that_attracted
|
media attention
|
|
gptkbp:has_been_accused_of
|
poisoning her parents
|
|
gptkbp:has_prequel
|
gptkb:none
|
|
gptkbp:has_relationship_with
|
her parents
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Violette Nozière
|
|
gptkbp:influenced
|
modern French cinema
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
|
|
gptkbp:inspired
|
gptkb:films
gptkb:literature
|
|
gptkbp:inspired_by
|
real events
|
|
gptkbp:is_a_figure_in
|
French pop culture
|
|
gptkbp:is_a_subject_of
|
gptkb:academic_research
public fascination
|
|
gptkbp:is_a_symbol_of
|
youth rebellion
|
|
gptkbp:is_criticized_for
|
French society
|
|
gptkbp:is_examined_in
|
documentary films
|
|
gptkbp:is_portrayed_as
|
the media
|
|
gptkbp:known_for
|
Murder of her parents
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:makeup_artist
|
gptkb:unknown
|
|
gptkbp:music_by
|
gptkb:Philippe_Sarde
|
|
gptkbp:nationality
|
gptkb:French
|
|
gptkbp:notable_case
|
several weeks
|
|
gptkbp:notable_quote
|
" I wanted to be free."
|
|
gptkbp:occupation
|
gptkb:crime
|
|
gptkbp:place_of_birth
|
gptkb:Paris,_France
|
|
gptkbp:place_of_death
|
gptkb:Paris,_France
|
|
gptkbp:plot
|
A young woman is accused of murdering her parents.
|
|
gptkbp:production_company
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:release_date
|
1978-10-04
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1978
|
|
gptkbp:released_in
|
1946
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jean-Claude_Carrière
|
|
gptkbp:sequel
|
gptkb:none
|
|
gptkbp:sound
|
gptkb:Mono
|
|
gptkbp:special_effects
|
gptkb:none
|
|
gptkbp:starring
|
gptkb:Isabelle_Huppert
gptkb:Jean-Pierre_Cassel
gptkb:Michel_Bouquet
|
|
gptkbp:theme
|
gptkb:murder
social issues
family conflict
youth rebellion
|
|
gptkbp:used_for
|
1934
|
|
gptkbp:was_a
|
French woman
|
|
gptkbp:was_a_case_studied_by
|
gptkb:criminologists
|
|
gptkbp:was_a_case_that_became
|
a cultural reference
|
|
gptkbp:was_a_case_that_discussed
|
mental health issues
|
|
gptkbp:was_a_case_that_examined
|
gender roles
|
|
gptkbp:was_a_case_that_questioned
|
the legal system
|
|
gptkbp:was_a_case_that_reflected
|
societal changes
|
|
gptkbp:was_a_case_that_was_analyzed_by
|
gptkb:psychology
|
|
gptkbp:was_a_case_that_was_analyzed_in
|
courtroom dramas
|
|
gptkbp:was_a_case_that_was_critiqued_by
|
sociologists
|
|
gptkbp:was_a_case_that_was_discussed_in
|
gptkb:media_outlets
law schools
|
|
gptkbp:was_a_case_that_was_dramatized_in
|
gptkb:theater_productions
|
|
gptkbp:was_a_case_that_was_explored_in
|
gptkb:academic_journals
|
|
gptkbp:was_a_case_that_was_featured_in
|
gptkb:podcasts
true crime stories
|
|
gptkbp:was_a_case_that_was_portrayed_in
|
gptkb:novels
|
|
gptkbp:was_a_case_that_was_referenced_in
|
gptkb:literary_work
|
|
gptkbp:was_a_case_that_was_revisited_in
|
historical analyses
|
|
gptkbp:was_a_case_that_was_scrutinized_by
|
the public
|
|
gptkbp:was_influenced_by
|
her social environment
|
|
gptkbp:was_involved_in
|
gptkb:public_opinion
family dynamics
media sensationalism
class issues
a notorious murder case
|
|
gptkbp:was_involved_in_a_case_that_raised
|
questions about justice
|
|
gptkbp:was_known_for
|
her beauty
|
|
gptkbp:was_part_of
|
French criminal history
the feminist movement discourse
|
|
gptkbp:was_seen_as_a_victim_of
|
societal norms
|
|
gptkbp:bfsParent
|
gptkb:Claude_Chabrol
|
|
gptkbp:bfsLayer
|
5
|