|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:Genie_Award_for_Best_Director
gptkb:Genie_Award_for_Best_Screenplay
|
|
gptkbp:budget
|
$5.9 million
|
|
gptkbp:cinematography
|
gptkb:Mark_Irwin
|
|
gptkbp:countryOfOrigin
|
gptkb:Canada
|
|
gptkbp:director
|
gptkb:David_Cronenberg
|
|
gptkbp:distributor
|
gptkb:Universal_Pictures
|
|
gptkbp:editingBy
|
gptkb:Ronald_Sanders
|
|
gptkbp:filmingLocation
|
gptkb:Toronto
|
|
gptkbp:genre
|
gptkb:science_fiction
body horror
psychological horror
|
|
gptkbp:homeMediaRelease
|
gptkb:The_Criterion_Collection
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Videodrome
|
|
gptkbp:influenced
|
cyberpunk genre
|
|
gptkbp:language
|
English
|
|
gptkbp:mainCharacter
|
gptkb:Bianca_O'Blivion
gptkb:Brian_O'Blivion
gptkb:Max_Renn
gptkb:Nicki_Brand
|
|
gptkbp:musicBy
|
gptkb:Howard_Shore
|
|
gptkbp:nominatedFor
|
gptkb:Saturn_Award_for_Best_Horror_Film
|
|
gptkbp:notableFor
|
cult following
special effects by Rick Baker
themes of media and technology
|
|
gptkbp:posterArtist
|
gptkb:Joan_Pearce
|
|
gptkbp:producer
|
gptkb:Claude_Héroux
|
|
gptkbp:productionCompany
|
gptkb:Canadian_Film_Development_Corporation
gptkb:Filmplan_International
|
|
gptkbp:rating
|
R
|
|
gptkbp:releaseDate
|
1983-02-04
|
|
gptkbp:runtime
|
89 minutes
|
|
gptkbp:setIn
|
gptkb:Toronto
|
|
gptkbp:starring
|
gptkb:James_Woods
gptkb:Debbie_Harry
gptkb:Jack_Creley
gptkb:Leslie_Carlson
gptkb:Peter_Dvorsky
gptkb:Sonja_Smits
|
|
gptkbp:theme
|
gptkb:murder
gptkb:technology
gptkb:conspiracy
hallucination
media manipulation
body transformation
|
|
gptkbp:writer
|
gptkb:David_Cronenberg
|
|
gptkbp:bfsParent
|
gptkb:David_Cronenberg
gptkb:James_Wood
gptkb:James_Woods
gptkb:Debbie_Harry
gptkb:Julie_Smadu
|
|
gptkbp:bfsLayer
|
5
|