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gptkbp:instance_of
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gptkb:play
|
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gptkbp:bfsLayer
|
3
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|
gptkbp:bfsParent
|
gptkb:David_Ives
gptkb:Nina_Arianda
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|
gptkbp:adaptation
|
Stage adaptations worldwide
|
|
gptkbp:adapted_into
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gptkb:film
|
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gptkbp:associated_act
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2
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gptkbp:audience
|
provokes thought
challenges perceptions
encourages discussion
|
|
gptkbp:awards
|
gptkb:Drama_Desk_Award_for_Outstanding_Play_(2011)
gptkb:Jeff_Award_for_Best_New_Play_(2011)
gptkb:L._A._Drama_Critics_Circle_Award_for_Best_Production_(2011)
gptkb:Tony_Award_for_Best_Play_(2012)
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|
gptkbp:based_on
|
Venus in Furs by Leopold von Sacher-Masoch
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gptkbp:character_development
|
explores gender roles
explores dominance and submission
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:cultural_impact
|
discussions on consent
influence on modern theater
discussions on relationships
|
|
gptkbp:directed_by
|
gptkb:Roman_Polanski
|
|
gptkbp:duration
|
90 minutes
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|
gptkbp:filmography
|
gptkb:2013
|
|
gptkbp:first_performance
|
gptkb:The_Classic_Stage_Company
|
|
gptkbp:genre
|
gptkb:musical
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Venus in Fur
|
|
gptkbp:influences
|
gptkb:Theater_of_the_Absurd
Sacher-Masochism
|
|
gptkbp:inspiration
|
gptkb:psychologist
Feminist literature
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Thomas_Novachek
Vanda Jordan
a playwright
initially skeptical
undergoes transformation
auditioning for a role
dominant and assertive
reveals hidden depths
|
|
gptkbp:notable_production
|
Broadway (2011)
National Tour (2013)
West End (2012)
|
|
gptkbp:official_language
|
English
|
|
gptkbp:premiered_on
|
gptkb:2010
|
|
gptkbp:published_by
|
gptkb:Dramatists_Play_Service
|
|
gptkbp:setting
|
gptkb:Borough
|
|
gptkbp:style
|
dialogue-driven
metatheatrical elements
intense character interactions
|
|
gptkbp:themes
|
gptkb:philosopher
power dynamics
sexuality
|
|
gptkbp:written_by
|
gptkb:David_Ives
|