Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:film_adaptation
gptkb:opera |
| gptkbp:character |
gptkb:Marino
gptkb:Violetta gptkb:Renaud gptkb:Antonio gptkb:Duke_of_Venice gptkb:Pierre Ruffiano |
| gptkbp:conflict |
political corruption
personal sacrifice Jaffier's loyalty |
| gptkbp:critical_reception |
well-received in its time
studied in literature courses |
| gptkbp:cultural_impact |
performed in theaters worldwide
inspired modern adaptations referenced in other works |
| gptkbp:first_performance |
1682
|
| gptkbp:genre |
gptkb:tragedy
|
| gptkbp:historical_context |
reflects political tensions of the time
set during the 17th century depicts Venetian society |
| https://www.w3.org/2000/01/rdf-schema#label |
Venice Preserved
|
| gptkbp:influence |
restoration drama
|
| gptkbp:influenced |
later playwrights
dramatic structure theatrical styles |
| gptkbp:language |
English
|
| gptkbp:legacy |
performed in educational settings
studied for its themes and characters considered a classic of English theatre |
| gptkbp:main_character |
Belvidera
Jaffier |
| gptkbp:notable_production |
National Theatre production
Royal Shakespeare Company production Bristol Old Vic production Chichester Festival Theatre production The Old Globe production |
| gptkbp:notable_quote |
" I am a Venetian!"
|
| gptkbp:performance |
performed in London
performed in New York performed in Paris |
| gptkbp:setting |
gptkb:Venice
|
| gptkbp:symbolism |
water as a symbol of change
Venice as a symbol of decadence masks as a symbol of deception |
| gptkbp:theme |
gptkb:betrayal
gptkb:political_intrigue love |
| gptkbp:written_by |
gptkb:Thomas_Otway
|
| gptkbp:bfsParent |
gptkb:Thomas_Otway
|
| gptkbp:bfsLayer |
6
|