Statements (44)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:art_exhibition
|
gptkbp:bfsLayer |
7
|
gptkbp:bfsParent |
gptkb:Venice_Biennale_1934
|
gptkbp:art_movement |
gptkb:sports_team
gptkb:Expressionism gptkb:Futurism gptkb:Artist gptkb:Monarch |
gptkbp:attendance |
International artists
|
gptkbp:closing_date |
November 1936
|
gptkbp:cultural_significance |
Influenced future biennales
Showcased avant-garde art Promoted modern art Fostered international art dialogue Highlighted political themes in art |
gptkbp:exhibition |
6 months
Modern Art |
gptkbp:followed_by |
Venice Biennale 1938
|
https://www.w3.org/2000/01/rdf-schema#label |
Venice Biennale 1936
|
gptkbp:impact |
Increased visibility for artists
Set a precedent for future exhibitions Influenced art criticism Established Venice as an art capital Encouraged cross-cultural collaborations |
gptkbp:is_a_venue_for |
gptkb:Arsenale
gptkb:Giardini_della_Biennale |
gptkbp:is_featured_in |
Guernica by Pablo Picasso
The Dance by Henri Matisse The Persistence of Memory by Salvador Dalí The Disquieting Muses by Giorgio de Chirico The Song of the Lark by Paul Klee |
gptkbp:launch_date |
June 1936
|
gptkbp:location |
gptkb:Venice
|
gptkbp:notable_members |
gptkb:Henri_Matisse
gptkb:Pablo_Picasso gptkb:Salvador_Dalí gptkb:Paul_Klee gptkb:Giorgio_de_Chirico |
gptkbp:organizer |
gptkb:La_Biennale_di_Venezia
|
gptkbp:preceded_by |
gptkb:Venice_Biennale_1934
|
gptkbp:significant_event |
First participation of the Soviet Union
Introduction of national pavilions |
gptkbp:type |
International Art Exhibition
|
gptkbp:year |
1936
|