|
gptkbp:instance_of
|
gptkb:art
gptkb:book_series
|
|
gptkbp:author
|
gptkb:Derek_Landy
|
|
gptkbp:characteristic
|
Translucent layers
|
|
gptkbp:characterized_by
|
Color field painting
|
|
gptkbp:collection
|
gptkb:The_Hirshhorn_Museum_and_Sculpture_Garden
gptkb:The_Tate_Modern
gptkb:The_Art_Institute_of_Chicago
gptkb:The_Whitney_Museum_of_American_Art
gptkb:National_Gallery_of_Art
gptkb:The_National_Gallery_of_Art
|
|
gptkbp:color
|
Translucent colors
|
|
gptkbp:color_palette
|
Vibrant colors
|
|
gptkbp:consists_of
|
multiple canvases
|
|
gptkbp:created_in
|
gptkb:1958
|
|
gptkbp:exhibited_at
|
gptkb:The_Hirshhorn_Museum_and_Sculpture_Garden
gptkb:The_Museum_of_Modern_Art
gptkb:The_Solomon_R._Guggenheim_Museum
International art fairs
Major art exhibitions
|
|
gptkbp:exhibition
|
The American Painting Today
|
|
gptkbp:exhibition_year
|
gptkb:1960
gptkb:1961
gptkb:1962
gptkb:1963
gptkb:1964
gptkb:1965
gptkb:1966
gptkb:1967
gptkb:1968
gptkb:1969
gptkb:1970
gptkb:1971
gptkb:1972
gptkb:1973
gptkb:1974
gptkb:1975
gptkb:1976
gptkb:1977
gptkb:1978
gptkb:1979
gptkb:1980
gptkb:1981
gptkb:1982
gptkb:1983
gptkb:1984
gptkb:1985
gptkb:1986
gptkb:1987
gptkb:1988
gptkb:1989
gptkb:1990
gptkb:1991
gptkb:1992
gptkb:1993
gptkb:1994
gptkb:1995
gptkb:1996
gptkb:1997
gptkb:1998
gptkb:1999
gptkb:2000
|
|
gptkbp:explores_themes
|
Light and color
|
|
gptkbp:first_published
|
gptkb:2021
|
|
gptkbp:genre
|
gptkb:fantasy
|
|
gptkbp:has_impact_on
|
Art history
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Veil series
|
|
gptkbp:influence
|
gptkb:Abstract_Expressionism
|
|
gptkbp:influenced_by
|
gptkb:Helen_Frankenthaler
gptkb:Jackson_Pollock
gptkb:Mark_Rothko
|
|
gptkbp:inspired_by
|
gptkb:Nature
|
|
gptkbp:is_analyzed_in
|
Art historians
Art literature
|
|
gptkbp:is_considered
|
A hallmark of American abstract art
|
|
gptkbp:is_considered_as
|
Pioneering work in modern art
|
|
gptkbp:is_considered_to_be
|
A defining work of the 20th century
A significant contribution to abstract art
|
|
gptkbp:is_displayed_in
|
Major art collections
|
|
gptkbp:is_influenced_by
|
Asian art traditions
|
|
gptkbp:is_inspired_by
|
gptkb:Nature
|
|
gptkbp:is_noted_for
|
Fluidity of form
|
|
gptkbp:is_part_of
|
Morris Louis's legacy
Morris Louis's body of work
|
|
gptkbp:is_recognized_by
|
Art critics
|
|
gptkbp:is_recognized_for
|
Innovative use of color
|
|
gptkbp:is_studied_in
|
Art history courses
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Skulduggery_Pleasant
|
|
gptkbp:medium
|
gptkb:painting
|
|
gptkbp:movement
|
gptkb:Post-Painterly_Abstraction
gptkb:Color_Field_Movement
|
|
gptkbp:notable_work
|
gptkb:Veil_I
gptkb:Veil_II
gptkb:Veil_III
|
|
gptkbp:number_of_books
|
gptkb:3
|
|
gptkbp:publisher
|
gptkb:Harper_Collins
|
|
gptkbp:setting
|
modern world
|
|
gptkbp:style
|
gptkb:Color_Field_painting
|
|
gptkbp:target_audience
|
young adult
|
|
gptkbp:technique
|
Pouring
Pouring paint
|
|
gptkbp:theme
|
Illusion of depth
|
|
gptkbp:type_of
|
Abstract painting
|
|
gptkbp:year
|
gptkb:1958
|
|
gptkbp:bfsParent
|
gptkb:Morris_Louis
|
|
gptkbp:bfsLayer
|
5
|