|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:art_style
|
minimalist
|
|
gptkbp:audience
|
70% on Rotten Tomatoes
|
|
gptkbp:author
|
gptkb:Michel_Faber
|
|
gptkbp:awards
|
gptkb:British_Independent_Film_Award
gptkb:National_Board_of_Review_Award
gptkb:BAFTA_Awards
|
|
gptkbp:based_on
|
gptkb:novel
Novel by Michel Faber
|
|
gptkbp:box_office
|
$7.2 million
|
|
gptkbp:budget
|
$13 million
|
|
gptkbp:character
|
gptkb:The_Man
gptkb:The_Driver
The Victim
The Female
|
|
gptkbp:cinematography
|
gptkb:Daniel_Landin
|
|
gptkbp:cinematography_by
|
gptkb:Daniel_Landin
|
|
gptkbp:critical_reception
|
positive
positive reviews
|
|
gptkbp:cultural_impact
|
gptkb:cultists
|
|
gptkbp:directed_by
|
gptkb:Jonathan_Glazer
|
|
gptkbp:director
|
gptkb:Jonathan_Glazer
|
|
gptkbp:distributor
|
gptkb:A24
|
|
gptkbp:editing
|
Paul Watts
|
|
gptkbp:features
|
gptkb:Scarlett_Johansson
|
|
gptkbp:features_song
|
gptkb:Mica_Levi
|
|
gptkbp:film_editing
|
Paul Watts
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_technique
|
gptkb:CGI
practical effects
|
|
gptkbp:filming_location
|
gptkb:Scotland
|
|
gptkbp:genre
|
gptkb:science_fiction
|
|
gptkbp:has_awards
|
gptkb:Best_Film_at_the_BIFA
Best Director at the BIFA
|
|
gptkbp:has_cultural_impact
|
cult following
|
|
gptkbp:has_editing_by
|
Paul Watts
|
|
gptkbp:has_label
|
gptkb:Milan_Records
|
|
gptkbp:has_language
|
English
|
|
gptkbp:has_soundtrack
|
gptkb:Under_the_Skin_(Original_Motion_Picture_Soundtrack)
gptkb:Mica_Levi
|
|
gptkbp:has_symbol
|
the city
the body
the void
the alien
|
|
gptkbp:has_theme
|
gptkb:identity
Existentialism
alienation
|
|
gptkbp:has_themes
|
gptkb:existentialism
gptkb:humanity
gptkb:identity
gptkb:feminism
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Under the Skin
|
|
gptkbp:influences
|
gptkb:The_Man_Who_Fell_to_Earth
gptkb:2001:_A_Space_Odyssey
gptkb:Solaris
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:is_based_on
|
novel by Michel Faber
|
|
gptkbp:is_considered
|
a modern classic
|
|
gptkbp:is_distributed_by
|
gptkb:A24
gptkb:Studio_Canal
|
|
gptkbp:is_notable_for
|
unique sound design
Minimal dialogue
Atmospheric tone
|
|
gptkbp:language
|
English
|
|
gptkbp:metacritic_score
|
85% on Rotten Tomatoes
|
|
gptkbp:mood
|
suspenseful
|
|
gptkbp:music_composer
|
gptkb:Mica_Levi
|
|
gptkbp:narrative
|
third-person
non-linear
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_tracks
|
gptkb:Love
gptkb:The_Hunter
gptkb:The_Woman
gptkb:The_Chase
gptkb:The_Last_Man
|
|
gptkbp:premiere
|
gptkb:2013_Venice_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Nick_Wechsler
gptkb:James_Wilson
gptkb:Andrew_Lowe
|
|
gptkbp:production_company
|
gptkb:Film4_Productions
|
|
gptkbp:release_country
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:release_date
|
2013-04-04
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:2013
|
|
gptkbp:released_in
|
gptkb:2013
|
|
gptkbp:runtime
|
108 minutes
|
|
gptkbp:screenplay
|
gptkb:Jonathan_Glazer
|
|
gptkbp:set_in
|
gptkb:Scotland
|
|
gptkbp:sound
|
dark
|
|
gptkbp:sound_design
|
ambient sounds
|
|
gptkbp:soundtrack
|
gptkb:Mica_Levi
2014-04-01
|
|
gptkbp:starring
|
gptkb:Scarlett_Johansson
|
|
gptkbp:themes
|
gptkb:humanity
gptkb:identity
gptkb:feminism
alienation
|
|
gptkbp:track_count
|
gptkb:14
|
|
gptkbp:visual_effects
|
gptkb:Framestore
|
|
gptkbp:bfsParent
|
gptkb:Scarlett_Johansson
|
|
gptkbp:bfsLayer
|
3
|