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gptkbp:instance_of
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gptkb:novel
gptkb:film
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|
gptkbp:adaptation
|
gptkb:theatre
gptkb:1978
gptkb:1984
gptkb:2000
gptkb:2010
gptkb:2015
gptkb:film
|
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gptkbp:author
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gptkb:Hugh_Mac_Lennan
|
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gptkbp:awards
|
gptkb:Governor_General's_Award
|
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gptkbp:based_on
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novel by Hugh Mac Lennan
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gptkbp:box_office
|
$1 million
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gptkbp:character
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gptkb:Bishop
Mr. Gregory
Mrs. Gregory
Dr. Mc Leod
M. L. Mac Donald
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gptkbp:cinematography
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gptkb:David_Watkin
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gptkbp:country
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gptkb:Native_American_tribe
|
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gptkbp:cover_art
|
gptkb:Unknown
|
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gptkbp:critical_reception
|
Well-received
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gptkbp:depicts
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the impact of war
French-English relations in Canada
cultural tensions in Canada
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gptkbp:directed_by
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gptkb:David_Watkin
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gptkbp:distributor
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gptkb:Cineplex_Odeon
|
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gptkbp:edited_by
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Michele D' Astous
|
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gptkbp:explores
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gptkb:Isolation
Cultural differences
Communication barriers
French-English relations
|
|
gptkbp:features
|
gptkb:historical_event
Historical context
themes of identity
themes of conflict
themes of reconciliation
|
|
gptkbp:followed_by
|
gptkb:The_Watch_That_Ends_the_Night
|
|
gptkbp:follows
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the story of two families
|
|
gptkbp:genre
|
gptkb:High_School
Literary fiction
|
|
gptkbp:has_theme
|
gptkb:organization
social issues
political issues
family dynamics
personal struggle
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Two Solitudes
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gptkbp:influence
|
Canadian literature
|
|
gptkbp:influenced
|
gptkb:Canadian_cinema
|
|
gptkbp:inspired_by
|
Personal experiences of the author
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
gptkb:DJ
gptkb:film
|
|
gptkbp:is_part_of
|
Canadian film history
|
|
gptkbp:isbn
|
978-0-7710-0830-0
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gptkbp:language
|
gptkb:French
English
|
|
gptkbp:main_character
|
gptkb:Paul_Gregory
gptkb:Dora
|
|
gptkbp:music_by
|
gptkb:John_W._Mc_Carthy
|
|
gptkbp:narrative_style
|
Third-person narrative
|
|
gptkbp:notable_for
|
its character development
its cinematography
its exploration of nationalism
its portrayal of bilingualism
its screenplay adaptation
|
|
gptkbp:page_count
|
320
|
|
gptkbp:premiered_on
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Robert_Lantos
|
|
gptkbp:published_by
|
1945
|
|
gptkbp:publisher
|
gptkb:Mc_Clelland_and_Stewart
|
|
gptkbp:rating
|
60% on Rotten Tomatoes
7.0/10 on IM Db
3.5/5 on Letterboxd
|
|
gptkbp:received
|
mixed reviews
|
|
gptkbp:released
|
gptkb:1984
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Hugh_Mac_Lennan
|
|
gptkbp:set_in
|
gptkb:Quebec
gptkb:Native_American_tribe
|
|
gptkbp:setting
|
gptkb:Native_American_tribe
|
|
gptkbp:starring
|
gptkb:Micheline_Lanctôt
gptkb:Gordon_Pinsent
gptkb:Colm_Feore
|
|
gptkbp:style
|
gptkb:Symbolism
gptkb:church
gptkb:Realism
|
|
gptkbp:symbolism
|
The river
The house
The war
The train
The bridge
|
|
gptkbp:theme
|
gptkb:flag
gptkb:military_conflict
gptkb:organization
|
|
gptkbp:bfsParent
|
gptkb:Hugh_Mac_Lennan
gptkb:Hugh_Mc_Lennan
|
|
gptkbp:bfsLayer
|
5
|