Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Galt_Mac_Dermot
|
| gptkbp:adaptation |
gptkb:film
modern retellings. musical adaptation. opera adaptation. |
| gptkbp:author |
gptkb:Educational_Institution
|
| gptkbp:character |
gptkb:military_unit
gptkb:noble_title Host Eglamour Launce Thurio |
| gptkbp:critical_reception |
mixed reviews over the years.
|
| gptkbp:cultural_significance |
one of Shakespeare's early works.
|
| gptkbp:first_performance |
1594
|
| gptkbp:genre |
gptkb:musical
|
| https://www.w3.org/2000/01/rdf-schema#label |
Two Gentlemen of Verona
|
| gptkbp:influence |
inspired adaptations
|
| gptkbp:inspiration |
influenced later romantic comedies.
|
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Valentine
gptkb:Julia gptkb:Proteus Silvia |
| gptkbp:notable_production |
television adaptation.
National Theatre production. Royal Shakespeare Company production. Broadway production. film version. |
| gptkbp:notable_quote |
All that glitters is not gold.
The more I give to thee, the more I have. Love is not love which alters when it alteration finds. |
| gptkbp:performance |
performed in various theaters.
|
| gptkbp:plot |
The play ends with reconciliations.
Julia disguises herself as a boy. Proteus falls in love with Silvia. Valentine and Proteus are friends. Valentine is banished from Verona. |
| gptkbp:published_by |
1623
|
| gptkbp:scholarships |
subject of academic studies.
examined for its historical context. analyzed for themes of love and friendship. discussed in the context of Shakespeare's works. explored for its character dynamics. |
| gptkbp:setting |
gptkb:Verona
|
| gptkbp:theme |
gptkb:betrayal
gptkb:Community_Center love |