Statements (144)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
2
|
| gptkbp:bfsParent |
gptkb:Educational_Institution
|
| gptkbp:adaptation |
gptkb:musical
gptkb:opera gptkb:film |
| gptkbp:character |
gptkb:Sir_Toby_Belch
gptkb:church gptkb:Maria gptkb:Sir_Andrew_Aguecheek gptkb:Duke_Orsino gptkb:Antonio gptkb:Feste gptkb:Malvolio gptkb:Olivia gptkb:Sebastian gptkb:Viola gptkb:musical_group Valet Fabian Viola's twin brother Curio Duke Orsino's attendants Olivia's steward Olivia's uncle Viola's admirer Viola's admirer in Illyria Viola's admirer in disguise Viola's ally Viola's ally in Illyria Viola's ally in disguise Viola's companion Viola's companion in Illyria Viola's companion in disguise Viola's confidant Viola's confidante in Illyria Viola's confidante in disguise Viola's cousin Viola's father Viola's friend Viola's friend in Illyria Viola's friend in disguise Viola's guide Viola's guide in Illyria Viola's guide in disguise Viola's mentor Viola's mother Viola's protector Viola's protector in Illyria Viola's protector in disguise Viola's rival Viola's rival in Illyria Viola's rival in disguise Viola's servant Viola's suitor Viola's supporter Viola's supporter in Illyria Viola's supporter in disguise |
| gptkbp:critical_reception |
performed in various languages
often studied in academic settings widely regarded as one of Shakespeare's best comedies |
| gptkbp:cultural_impact |
inspired various adaptations
performed worldwide influenced popular culture inspired numerous adaptations influenced literature influenced art influenced film influenced music translated into many languages studied in literature courses studied in schools influenced modern romantic comedies adapted into various languages featured in festivals |
| gptkbp:cultural_significance |
explores themes of gender and identity
examines social class and ambition celebrates the spirit of festivity |
| gptkbp:famous_for |
cross-dressing
comic elements mistaken identities |
| gptkbp:first_performance |
1602
|
| gptkbp:genre |
gptkb:musical
|
| https://www.w3.org/2000/01/rdf-schema#label |
Twelfth Night
|
| gptkbp:influence |
gptkb:theatre
gptkb:literary_work gptkb:film Western literature |
| gptkbp:influenced_by |
Italian literature
Roman comedies |
| gptkbp:influences |
gptkb:musical
Shakespearean comedy |
| gptkbp:language |
Early Modern English
English |
| gptkbp:main_character |
gptkb:Olivia
gptkb:Orsino gptkb:Viola |
| gptkbp:notable_performance |
gptkb:Shakespeare_in_the_Park
gptkb:The_Globe_Theatre gptkb:Royal_Shakespeare_Company gptkb:Elizabethan_theatre gptkb:film television adaptations frequently performed community theater productions modern theatre Broadway productions international theater festivals adapted into various formats |
| gptkbp:notable_production |
gptkb:theatre
gptkb:Royal_Shakespeare_Company gptkb:Shakespeare's_Globe gptkb:film television adaptations international performances community theater productions musical adaptations Broadway adaptations school performances |
| gptkbp:notable_quote |
If music be the food of love, play on.
Some are born great, some achieve greatness, and some have greatness thrust upon 'em. " If music be the food of love, play on" " I am all the daughters of my father's house, and all the brothers too" " Some are born great, some achieve greatness, and some have greatness thrust upon 'em" Better a witty fool than a foolish wit. I am all the daughters of my father's house, and all the brothers too. The more fool, madonna, to mourn for your brother's soul, being in heaven. |
| gptkbp:official_language |
English
|
| gptkbp:performed_by |
gptkb:Globe_Theatre
gptkb:Royal_Shakespeare_Theatre |
| gptkbp:plot |
gptkb:starship
love triangle mistaken identity prank on Malvolio |
| gptkbp:published_by |
1623
|
| gptkbp:setting |
gptkb:Illyria
|
| gptkbp:theme |
gptkb:TV_series
gptkb:item love |
| gptkbp:themes |
gptkb:TV_series
gptkb:item love festivity |
| gptkbp:written_by |
gptkb:Educational_Institution
|