Trio Sonata in E minor, Op. 2, No. 5
GPTKB entity
Statements (47)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:associated_with |
Corelli's style
|
| gptkbp:available_on |
gptkb:recordings
|
| gptkbp:characterized_by |
dialogue between instruments
|
| gptkbp:composer |
gptkb:Arcangelo_Corelli
|
| gptkbp:cultural_significance |
important work in chamber music repertoire
|
| gptkbp:dedicated_to |
unknown patron
|
| gptkbp:duration |
approximately 15 minutes
|
| gptkbp:genre |
Baroque music
|
| gptkbp:historical_context |
17th century
|
| https://www.w3.org/2000/01/rdf-schema#label |
Trio Sonata in E minor, Op. 2, No. 5
|
| gptkbp:influenced |
later composers
the development of sonata form |
| gptkbp:influenced_by |
French music
Italian Baroque music |
| gptkbp:instruments |
violin, cello, harpsichord
|
| gptkbp:involved_forces |
two violins and continuo
|
| gptkbp:is_analyzed_in |
in music theory courses
|
| gptkbp:is_often_featured_in |
in Baroque music anthologies
|
| gptkbp:is_often_used_in |
in concerts
in academic settings by classical musicians |
| gptkbp:is_studied_in |
by music students
|
| gptkbp:key |
E minor
|
| gptkbp:notable_for |
its intricate counterpoint
its rhythmic variety its harmonic structure its melodic lines its use of counterpoint |
| gptkbp:notable_traits |
use of ornamentation
|
| gptkbp:number_of_movements |
gptkb:4
|
| gptkbp:opus_number |
Op. 2, No. 5
|
| gptkbp:part_of |
Corelli's Opus 2
Corelli's legacy Baroque sonata form Corelli's contributions to music |
| gptkbp:performed_by |
orchestras
string ensembles |
| gptkbp:performed_in |
chamber music festivals
|
| gptkbp:published |
1700s
|
| gptkbp:recorded_by |
various artists
|
| gptkbp:second_movement |
gptkb:Allegro
gptkb:Adagio gptkb:cemetery |
| gptkbp:style |
gptkb:Baroque
|
| gptkbp:bfsParent |
gptkb:Handel:_Trios
|
| gptkbp:bfsLayer |
7
|