Statements (57)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:film_adaptation
|
| gptkbp:character |
gptkb:Miss._Dorriforth
gptkb:Miss._Trelawny gptkb:Mr._Bumpus Mr. Dorriforth Mr. Hodge Mr. Broughton Mr. Hodge's wife Mr. Trelawny Mrs. Trelawny |
| gptkbp:cultural_impact |
gptkb:historical_context
influence on playwrights representation of women influence on audience engagement influence on character arcs influence on romantic comedies influence on comedy genre critique of social norms influence on cultural discourse influence on thematic exploration portrayal of relationships influence on stagecraft influence on narrative techniques influence on audience expectations influence on theatrical conventions influence on performance styles influence on dramatic structure influence on British theatre influence on character-driven narratives influence on dialogue style commentary on love depiction of class struggles examination of ambition exploration of theatre life influence on social commentary plays reflection of personal identity |
| gptkbp:first_performance |
1898
|
| gptkbp:genre |
gptkb:comedy
|
| https://www.w3.org/2000/01/rdf-schema#label |
Trelawny of the Wells
|
| gptkbp:influenced |
later comedies
|
| gptkbp:influenced_by |
Victorian society
|
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Sophie_Trelawny
|
| gptkbp:notable_production |
National Theatre production
|
| gptkbp:original_language |
English
|
| gptkbp:premiere_location |
gptkb:Duke_of_York's_Theatre
|
| gptkbp:published_in |
1898
|
| gptkbp:revival |
2015 revival
2003 revival |
| gptkbp:setting |
gptkb:Victorian_London
|
| gptkbp:thematic_element |
gptkb:theater
gptkb:social_class romance |
| gptkbp:written_by |
gptkb:Arthur_Wing_Pinero
|
| gptkbp:bfsParent |
gptkb:Arthur_Wing_Pinero
|
| gptkbp:bfsLayer |
5
|