Statements (44)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
|
| gptkbp:adaptations |
musical theater productions
|
| gptkbp:composer |
gptkb:Scott_Joplin
|
| gptkbp:critical_reception |
mixed reviews at premiere
|
| gptkbp:cultural_impact |
inspired future composers
influence on American musical theater revival of interest in Scott Joplin |
| gptkbp:cultural_significance |
celebration of African American heritage
|
| gptkbp:first_performance |
gptkb:Harlem
|
| gptkbp:format |
two acts
|
| gptkbp:genre |
gptkb:musical
|
| gptkbp:historical_context |
early 20th century America
post-Civil War America |
| https://www.w3.org/2000/01/rdf-schema#label |
Treemonisha
|
| gptkbp:influenced |
contemporary musical theater
jazz compositions later operas and musicals |
| gptkbp:influenced_by |
blues
spirituals ragtime music |
| gptkbp:influences |
African American culture
|
| gptkbp:inspired_by |
African American folk traditions
|
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Treemonisha
|
| gptkbp:notable_performers |
gptkb:Jessye_Norman
gptkb:Leontyne_Price Willie Waters |
| gptkbp:notable_songs |
gptkb:The_Entertainer
gptkb:I_Got_Rhythm Aunt Dinah Has Blowed the Horn |
| gptkbp:premiere_date |
1911
|
| gptkbp:recordings |
performed by various orchestras
available in different formats multiple audio recordings available |
| gptkbp:revival |
performed in various theaters
|
| gptkbp:scholarly_analysis |
studied in musicology
analyzed for its cultural significance discussed in literature on American music |
| gptkbp:setting |
gptkb:American_South
|
| gptkbp:themes |
gptkb:education
gptkb:community empowerment |
| gptkbp:bfsParent |
gptkb:Scott_Joplin
|
| gptkbp:bfsLayer |
5
|