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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
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3
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gptkbp:bfsParent
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gptkb:Orson_Welles
gptkb:film
|
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gptkbp:awards
|
gptkb:Cannes_Film_Festival_Best_Director_Award
Academy Award nomination for Best Supporting Actor
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gptkbp:based_on
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gptkb:Badge_of_Evil
a novel by Whit Masterson
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gptkbp:box_office
|
$1.5 million
$10 million
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gptkbp:budget
|
$20 million
$1.8 million
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gptkbp:character
|
gptkb:Captain_Hank_Quinlan
gptkb:Captain_Quinlan
gptkb:Tanya
gptkb:Hank_Quinlan
gptkb:Mike_Vargas
gptkb:Sanchez
gptkb:Tana
Marlowe
Susie Vargas
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|
gptkbp:cinematography
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gptkb:Russell_Metty
gptkb:Ricardo_Montalbán
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|
gptkbp:color
|
black-and-white
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gptkbp:country
|
gptkb:United_States
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gptkbp:critical_reception
|
mixed
mixed reviews
mixed reviews upon release
re-evaluated as a masterpiece
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|
gptkbp:cultural_impact
|
considered a classic
inspired analysis in film studies
considered a classic of film noir
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gptkbp:debut_year
|
Touch of Evil (1958)
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gptkbp:directed_by
|
gptkb:Orson_Welles
|
|
gptkbp:director
|
gptkb:Orson_Welles
gptkb:John_Huston
|
|
gptkbp:distributor
|
gptkb:Universal_Pictures
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gptkbp:edited_by
|
gptkb:Verna_Fields
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|
gptkbp:editor
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gptkb:Felix_Feist
Owen Marks
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gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_score
|
Henry Mancini's score
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|
gptkbp:film_series
|
Touch of Evil series
|
|
gptkbp:filmography
|
gptkb:Felix_Feist
symbolism
flashbacks
narrative complexity
foreshadowing
long takes
non-linear narrative
shadow play
deep focus
low-angle shots
|
|
gptkbp:follows
|
gptkb:Detective
|
|
gptkbp:genre
|
gptkb:Police_Department
gptkb:High_School
gptkb:film
film noir
crime film
AFI's 10 Top 10 -Film Noir
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|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
released on DVD and Blu-ray
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Touch of Evil
|
|
gptkbp:influenced
|
gptkb:Breaking_Bad
gptkb:Pulp_Fiction
gptkb:The_Godfather
gptkb:The_Usual_Suspects
film studies
future filmmakers
later filmmakers
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
gptkb:Citizen_Kane
gptkb:Italian_Neorealism
gptkb:French_New_Wave
|
|
gptkbp:influences
|
inspired many filmmakers
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|
gptkbp:is_cited_in
|
gptkb:Martin_Scorsese
gptkb:David_Lynch
gptkb:Francis_Ford_Coppola
gptkb:Quentin_Tarantino
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|
gptkbp:is_worshipped_by
|
gptkb:theorem
|
|
gptkbp:language
|
English
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|
gptkbp:legacy
|
studied in film schools
influential in film history
cited in film critiques
|
|
gptkbp:music
|
gptkb:Henry_Mancini
|
|
gptkbp:music_by
|
gptkb:Henry_Mancini
|
|
gptkbp:notable_appearance
|
the final confrontation
opening shot
the car explosion
|
|
gptkbp:plot
|
gptkb:Detective
drug trafficking
personal vendetta
police corruption
A murder mystery involving a corrupt police officer.
|
|
gptkbp:produced_by
|
gptkb:Orson_Welles
|
|
gptkbp:release_date
|
gptkb:1958
gptkb:1998
April 23, 1958
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:released
|
gptkb:1958
|
|
gptkbp:remake
|
The Touch of Evil (1998)
Touch of Evil (1958)
|
|
gptkbp:restoration
|
1998 restoration
1998 restoration by Universal Pictures
restored version released in 1998
|
|
gptkbp:runtime
|
95 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Orson_Welles
gptkb:Paul_Monash
|
|
gptkbp:set_in
|
border town
|
|
gptkbp:setting
|
Mexican-American border
|
|
gptkbp:starring
|
gptkb:Orson_Welles
gptkb:Janet_Leigh
gptkb:Charlton_Heston
|
|
gptkbp:technique
|
long take opening scene
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:historical_event
morality
|