|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:award
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
$2 million
|
|
gptkbp:cinematography
|
Sidney Hickox
|
|
gptkbp:color
|
black-and-white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influential film noir
|
|
gptkbp:director
|
gptkb:Howard_Hawks
|
|
gptkbp:edited_by
|
gptkb:Christian_Nyby
|
|
gptkbp:features
|
gptkb:starship
romantic tension
|
|
gptkbp:follows
|
gptkb:Harry_Morgan
|
|
gptkbp:genre
|
gptkb:amusement_park
romance
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
To Have and Have Not
|
|
gptkbp:influenced
|
film style
film dialogue
future films
Bacall's career
Bogart's career
|
|
gptkbp:influenced_by
|
gptkb:Ernest_Hemingway
|
|
gptkbp:inspired
|
television adaptations
stage adaptations
parodies
homages
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Max_Steiner
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_appearance
|
the bar scene
the boat scene
the ending scene
|
|
gptkbp:notable_for
|
first film of Bogart and Bacall together
|
|
gptkbp:notable_quote
|
“ You know how to whistle, don’t you, Steve? You just put your lips together and blow.”
|
|
gptkbp:production_company
|
gptkb:Warner_Bros.
|
|
gptkbp:release_date
|
gptkb:1944
|
|
gptkbp:released_in
|
gptkb:1944
|
|
gptkbp:remake
|
The Breaking Point
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:William_Faulkner
gptkb:Jules_Furthman
|
|
gptkbp:set_in
|
gptkb:Martinique
|
|
gptkbp:starring
|
gptkb:Humphrey_Bogart
gptkb:Lauren_Bacall
|
|
gptkbp:bfsParent
|
gptkb:Ernest_Hemingway
gptkb:Walter_Brennan
|
|
gptkbp:bfsLayer
|
3
|