|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:BBC
gptkb:miniseries
|
|
gptkbp:adaptation_year
|
gptkb:2002
|
|
gptkbp:author
|
gptkb:Sarah_Waters
|
|
gptkbp:awards
|
gptkb:literary_award
|
|
gptkbp:cast
|
gptkb:Rachael_Stirling
gptkb:Keeley_Hawes
gptkb:Anna_Chancellor
gptkb:Andrew_Davies
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:film_editing
|
gptkb:3
|
|
gptkbp:genre
|
gptkb:historical_fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Tipping the Velvet
|
|
gptkbp:influences
|
gptkb:feminism
queer theory
|
|
gptkbp:inspiration
|
gptkb:Victorian_literature
gptkb:LGBTQ+_community
real-life music halls
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Nan_Astley
|
|
gptkbp:motif
|
gptkb:theater
gptkb:performance_art
gptkb:deception
gptkb:identity
love and loss
|
|
gptkbp:narrative
|
gptkb:Female
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot
|
exploration of sexuality
social class issues
Nan's experiences in the music hall
Nan's journey of self-discovery
Nan's relationship with Diana
|
|
gptkbp:published
|
gptkb:1998
|
|
gptkbp:published_year
|
gptkb:2002
|
|
gptkbp:publisher
|
gptkb:Virago_Press
|
|
gptkbp:related_works
|
gptkb:Fingersmith
gptkb:Affinity
|
|
gptkbp:setting
|
gptkb:Victorian_England
|
|
gptkbp:symbolism
|
the Victorian era
the stage
the music hall
the velvet
|
|
gptkbp:themes
|
gptkb:performance
love
gender roles
lesbian identity
|
|
gptkbp:bfsParent
|
gptkb:Benedict_Cumberbatch
gptkb:Sarah_Waters
|
|
gptkbp:bfsLayer
|
4
|