|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film_adaptations
gptkb:television
gptkb:film
|
|
gptkbp:author
|
gptkb:Marcel_Proust
|
|
gptkbp:character
|
gptkb:Bergotte
gptkb:the_Narrator
gptkb:Charlus
gptkb:Saint-Loup
gptkb:Albertine
gptkb:Odette
Swann
Morel
Françoise
Gilberte
Vinteuil
Elstir
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:critical_reception
|
widely acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:director
|
gptkb:Raúl_Ruiz
|
|
gptkbp:explores_themes
|
gptkb:art
gptkb:loss
gptkb:identity
social change
nostalgia
|
|
gptkbp:film
|
gptkb:French
|
|
gptkbp:genre
|
Literary fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Time Regained
|
|
gptkbp:influenced
|
subsequent literature
|
|
gptkbp:influenced_by
|
gptkb:Henri_Bergson
|
|
gptkbp:influences
|
gptkb:Modernist_literature
|
|
gptkbp:is_part_of
|
gptkb:In_Search_of_Lost_Time
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:literary_significance
|
considered a masterpiece
|
|
gptkbp:main_character
|
gptkb:Marcel
|
|
gptkbp:main_theme
|
gptkb:memory
|
|
gptkbp:motif
|
gptkb:art
|
|
gptkbp:narrative
|
first-person
|
|
gptkbp:narrative_style
|
stream of consciousness
|
|
gptkbp:notable_quote
|
“ The only paradise is paradise lost.”
|
|
gptkbp:page_count
|
approximately 600
|
|
gptkbp:part_of
|
gptkb:In_Search_of_Lost_Time
|
|
gptkbp:part_of_series
|
gptkb:In_Search_of_Lost_Time
|
|
gptkbp:posthumous_recognition
|
gptkb:true
|
|
gptkbp:predecessor
|
gptkb:The_Fugitive
|
|
gptkbp:published
|
gptkb:1927
|
|
gptkbp:published_in
|
La Nouvelle Revue Française
|
|
gptkbp:release_year
|
gptkb:1999
|
|
gptkbp:setting
|
gptkb:France
|
|
gptkbp:style
|
descriptive
|
|
gptkbp:successor
|
gptkb:The_Past
|
|
gptkbp:symbolism
|
gptkb:time
|
|
gptkbp:translated_into
|
gptkb:C._K._Scott_Moncrieff
|
|
gptkbp:bfsParent
|
gptkb:In_Search_of_Lost_Time
gptkb:Proust
|
|
gptkbp:bfsLayer
|
5
|