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gptkbp:instance_of
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gptkb:fictional_character
gptkb:film
|
|
gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Sailor_Pluto
|
|
gptkbp:appears_in
|
Time Guardian (film)
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|
gptkbp:architectural_style
|
The hero, the mentor.
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|
gptkbp:audience
|
Cult classic status.
PG-13.
Varied perspectives.
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|
gptkbp:awards
|
gptkb:CEO
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gptkbp:box_office
|
$1.2 million
A$1.5 million
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|
gptkbp:budget
|
$1.5 million
A$3 million
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|
gptkbp:challenges
|
Budget constraints.
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|
gptkbp:character
|
Contrasting characters.
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|
gptkbp:character_arc
|
Hero's journey.
From novice to hero.
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|
gptkbp:character_development
|
Time travel and its consequences.
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|
gptkbp:character_relationships
|
Internal and external struggles.
Trust and betrayal.
Growth through adversity.
Overconfidence.
Allies and enemies.
Complex interactions.
Diverse cast.
Teamwork and conflict.
Naivety.
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|
gptkbp:character_traits
|
Leadership.
|
|
gptkbp:cinematography
|
gptkb:David_Eggby
|
|
gptkbp:country
|
gptkb:Australia
|
|
gptkbp:created_by
|
gptkb:Brian_Trenchard-Smith
|
|
gptkbp:critical_reception
|
Mixed reviews.
|
|
gptkbp:cultural_impact
|
Cult following.
|
|
gptkbp:cultural_references
|
Pop culture nods.
|
|
gptkbp:demographics
|
Sci-fi fans.
|
|
gptkbp:design
|
Futuristic settings.
|
|
gptkbp:directed_by
|
gptkb:Brian_Trenchard-Smith
|
|
gptkbp:director
|
gptkb:Brian_Trenchard-Smith
|
|
gptkbp:distributor
|
gptkb:Roadshow_Entertainment
gptkb:Cannon_Group
|
|
gptkbp:edited_by
|
gptkb:Michael_Mc_Lean
|
|
gptkbp:editor
|
gptkb:Michael_Mc_Lean
|
|
gptkbp:film_festival
|
gptkb:CEO
|
|
gptkbp:filming_location
|
gptkb:Australia
|
|
gptkbp:filmography
|
Use of practical effects.
On-location shooting.
Explored in film studies.
|
|
gptkbp:genre
|
gptkb:Author
|
|
gptkbp:has_ability
|
Combat and strategy.
|
|
gptkbp:has_backstory
|
Time travelers from the future.
|
|
gptkbp:historical_source
|
Time travel lore.
|
|
gptkbp:home_media_release
|
VHS, DVD.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Time Guardian
|
|
gptkbp:influences
|
gptkb:The_Terminator
|
|
gptkbp:inspiration
|
Time travel theories.
|
|
gptkbp:is_criticized_for
|
Analyzed for pacing.
|
|
gptkbp:is_motivated_by
|
Desire to protect.
Protect the timeline.
Prevent timeline disruption.
|
|
gptkbp:language
|
English
Expository.
|
|
gptkbp:legacy
|
Influenced later sci-fi films.
Influenced time travel genre.
|
|
gptkbp:main_character
|
gptkb:Captain_K._D._Mc_Culloch
|
|
gptkbp:merchandise
|
gptkb:CEO
|
|
gptkbp:motif
|
Timepieces.
|
|
gptkbp:music_by
|
gptkb:Brian_May
|
|
gptkbp:narrative_style
|
Three-act structure.
Linear storytelling.
Driven by conflict.
|
|
gptkbp:plot
|
A group of time travelers protect the timeline from a villain.
A group of time travelers must protect a young girl from a tyrant.
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|
gptkbp:plot_twist
|
Unexpected betrayals.
|
|
gptkbp:produced_by
|
gptkb:David_Elfick
|
|
gptkbp:production_company
|
gptkb:Bristol_Productions
|
|
gptkbp:public_perception
|
Mixed reactions.
|
|
gptkbp:rating
|
gptkb:PG
|
|
gptkbp:release_date
|
gptkb:1987
1987-12-10
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:released_in
|
gptkb:1987
|
|
gptkbp:resolution
|
Achieves goals.
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screen_size
|
Main characters have significant screen time.
|
|
gptkbp:screenplay_by
|
gptkb:Brian_Trenchard-Smith
|
|
gptkbp:sequel
|
gptkb:CEO
|
|
gptkbp:set_in
|
post-apocalyptic future
|
|
gptkbp:soundtrack
|
Available on CD.
|
|
gptkbp:starring
|
gptkb:Tom_Burlinson
gptkb:John_Waters
gptkb:Lisa_Mc_Cune
|
|
gptkbp:symbolism
|
Time as a construct.
Time as a resource.
|
|
gptkbp:themes
|
Growth through challenges.
Heroism and sacrifice.
Teamwork and conflict resolution.
Time, destiny, and heroism.
|
|
gptkbp:visual_effects
|
gptkb:John_D._Mc_Donald
Practical effects.
|