Statements (111)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film
|
| gptkbp:artwork |
utilizes physical comedy.
|
| gptkbp:associatedWith |
Tillie_and_the_Rich_Man.
|
| gptkbp:audience |
appreciated for its humor.
|
| gptkbp:boxOffice |
successful for its time.
|
| gptkbp:character |
gptkb:The_Historian
The Dancer The Lover The Man The Child The Inventor The Magician The Young Woman The Mother The Clown The Doctor The Father The Artist The Judge The Poet The Soldier The Traveler The Scientist The Old Woman The Thief The Rival The Farmer The Philosopher The Student The Drunkard The Merchant The Teacher The Baby The Waitress The Explorer The Nurse The Singer The Pet The Policeman The Rich Man The_Fisherman The_Waiter The_Baker The_Landlord The_Sailor The_Suitor The_Executioner Tillie The_Barber |
| gptkbp:characterAppearance |
Tillie's_struggle_with_societal_expectations.
|
| gptkbp:characterArc |
Tillie's_journey_from_innocence_to_experience.
|
| gptkbp:characterDevelopment |
Tillie's_growth_throughout_the_film.
|
| gptkbp:characterTraits |
Tillie's_desire_for_love.
|
| gptkbp:cinematographyBy |
gptkb:Rollie_Totheroh
|
| gptkbp:country |
gptkb:United_States
|
| gptkbp:criticalReception |
mixed reviews upon release.
|
| gptkbp:culturalHeritage |
references to contemporary society.
|
| gptkbp:culturalImpact |
influenced future comedy films
influenced the portrayal of women in film. pioneered the feature-length comedy format. |
| gptkbp:culturalSignificance |
reflects early 20th-century American society.
|
| gptkbp:directedBy |
gptkb:Charles_Chaplin
|
| gptkbp:distributor |
Mutual_Film_Corporation
|
| gptkbp:editedBy |
gptkb:Charles_Chaplin
|
| gptkbp:features |
slapstick humor
|
| gptkbp:filmFestival |
screened at various film festivals.
|
| gptkbp:filmingLocation |
gptkb:Charles_Chaplin
California. |
| gptkbp:follows |
The Property Man
Tillie |
| gptkbp:genre |
comedy
|
| gptkbp:historicalContext |
emerged during the silent film era.
|
| gptkbp:historicalSignificance |
one of the earliest feature-length films.
|
| gptkbp:homeMediaRelease |
released on DVD.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Tillie's Punctured Romance
|
| gptkbp:influenced |
future comedy filmmakers.
the development of comedy films. the evolution of silent film comedy. the genre of romantic comedies. |
| gptkbp:influencedBy |
gptkb:Vaudeville
silent film era conventions. |
| gptkbp:inspiration |
subsequent silent comedies.
|
| gptkbp:language |
silent film
silent |
| gptkbp:legacy |
considered a classic of silent film.
|
| gptkbp:musicBy |
gptkb:Charles_Chaplin
|
| gptkbp:notableFeature |
innovative for its time.
early use of visual gags. the chase scene. the pursuit of happiness. Marie_Dressler's_comedic_timing. |
| gptkbp:notableFilm |
Charlie_Chaplin_as_the_Tramp.
|
| gptkbp:notableFor |
being one of the first feature-length comedies
|
| gptkbp:notableQuote |
“Love_is_a_funny_thing.”
|
| gptkbp:plot |
A young woman falls in love with a wealthy man.
|
| gptkbp:precededBy |
gptkb:The_Floorwalker
|
| gptkbp:producedBy |
Mutual_Film_Corporation
|
| gptkbp:productionCompany |
Mutual_Film_Corporation.
|
| gptkbp:releaseDate |
February 1914
|
| gptkbp:releasedIn |
1914
|
| gptkbp:remake |
The_Punctured_Romance_(1930)
Tillie's_Punctured_Romance_(2014) |
| gptkbp:renovated |
restored for modern audiences.
|
| gptkbp:runtime |
30 minutes
40 minutes |
| gptkbp:screenplayBy |
gptkb:Mack_Sennett
|
| gptkbp:setIn |
gptkb:New_York_City
|
| gptkbp:starring |
gptkb:Charlie_Chaplin
gptkb:Marie_Dressler Mack_Swain |
| gptkbp:theme |
love and class disparity.
|