Threnody to the Victims of Hiroshima
GPTKB entity
Statements (75)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:The_Concerto_for_Solo_Cello_and_Chamber_Orchestra
gptkb:Krzysztof_Penderecki |
| gptkbp:arrangements |
for various ensembles available
|
| gptkbp:associated_with |
anti-nuclear movement
|
| gptkbp:awards |
recognized in various music competitions
|
| gptkbp:collaborations |
collaborated with various artists for performances
|
| gptkbp:composed_of |
52 string instruments
|
| gptkbp:composer |
gptkb:Krzysztof_Penderecki
|
| gptkbp:cultural_impact |
influential in contemporary classical music
|
| gptkbp:cultural_references |
referenced in films and literature
|
| gptkbp:dedicated_to |
gptkb:Victims_of_Hiroshima
|
| gptkbp:dedication |
victims of the atomic bombing of Hiroshima
|
| gptkbp:duration |
approximately 50 minutes
approximately 8 minutes |
| gptkbp:example |
20th-century music.
|
| gptkbp:features |
clusters of sound
|
| gptkbp:first_performance |
gptkb:Warsaw
|
| gptkbp:historical_context |
written during the Cold War
|
| https://www.w3.org/2000/01/rdf-schema#label |
Threnody to the Victims of Hiroshima
|
| gptkbp:influenced_artists |
influenced film scores and soundtracks
inspired many contemporary composers |
| gptkbp:influenced_by |
gptkb:World_War_II
12-tone technique Eastern European musical traditions the Holocaust and World War II experiences |
| gptkbp:inspiration |
Hiroshima atomic bombing
|
| gptkbp:inspired_by |
Hiroshima atomic bombing
|
| gptkbp:instrumentation |
gptkb:orchestra
|
| gptkbp:is_analyzed_in |
its structure and form
|
| gptkbp:is_characterized_by |
intense dissonance
|
| gptkbp:is_cited_in |
musicology studies
|
| gptkbp:is_considered |
a landmark in modern music
|
| gptkbp:is_featured_in |
documentaries about Hiroshima.
documentaries about Hiroshima |
| gptkbp:is_often_associated_with |
haunting and powerful
|
| gptkbp:is_often_used_in |
film soundtracks
memorial concerts |
| gptkbp:is_part_of |
Penderecki's early works
|
| gptkbp:is_recognized_by |
a significant work in contemporary classical music
|
| gptkbp:is_studied_in |
musicology courses
|
| gptkbp:legacy |
considered a landmark work in 20th-century music
|
| gptkbp:mood |
intense and somber
|
| gptkbp:music_style |
through-composed
|
| gptkbp:notable_conductors |
conducted by Leonard Bernstein
|
| gptkbp:notable_feature |
use of extended techniques
|
| gptkbp:notable_for |
its emotional impact
|
| gptkbp:notable_performance |
performed by the London Sinfonietta
|
| gptkbp:notable_recordings |
multiple recordings available
recorded by the Kronos Quartet |
| gptkbp:performed_by |
gptkb:orchestra
gptkb:the_Warsaw_Philharmonic_Orchestra international music festivals various orchestras worldwide major music festivals concert halls globally Hiroshima memorial ceremonies numerous memorial events |
| gptkbp:premiere |
gptkb:1961
|
| gptkbp:premiered_on |
gptkb:1960
|
| gptkbp:published_by |
Polish Music Publishing House
|
| gptkbp:record_label |
gptkb:Deutsche_Grammophon
|
| gptkbp:recorded_by |
numerous orchestras
|
| gptkbp:repertoire |
modern classical music repertoire
many string ensembles |
| gptkbp:significance |
protest against war and violence
|
| gptkbp:style |
Avant-garde
avant-garde |
| gptkbp:technique |
microtonality
|
| gptkbp:theme |
suffering and loss
|
| gptkbp:title |
gptkb:Threnody_for_the_Victims_of_Hiroshima
|
| gptkbp:uses |
extended techniques
|
| gptkbp:was_a_response_to |
human suffering
|
| gptkbp:year_composed |
gptkb:1960
|