|
gptkbp:instance_of
|
gptkb:Composer
|
|
gptkbp:active_years
|
1580-1602
|
|
gptkbp:associated_act
|
gptkb:The_English_Madrigal_School
|
|
gptkbp:associated_with
|
gptkb:Royal_Court_of_England
|
|
gptkbp:birth_date
|
1557
|
|
gptkbp:children
|
gptkb:Unknown
|
|
gptkbp:collaborated_with
|
gptkb:John_Wilbye
gptkb:Thomas_Weelkes
|
|
gptkbp:contribution
|
Development of English music
|
|
gptkbp:death_date
|
1602
|
|
gptkbp:education
|
gptkb:University_of_Oxford
|
|
gptkbp:famous_for
|
Madrigals and Anthems
|
|
gptkbp:founded
|
gptkb:Madrigal_Society
|
|
gptkbp:genre
|
Madrigal
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Thomas Morley
|
|
gptkbp:influenced
|
gptkb:Henry_Purcell
|
|
gptkbp:influenced_by
|
gptkb:William_Byrd
gptkb:Giovanni_Pierluigi_da_Palestrina
|
|
gptkbp:inspired
|
Later English composers
|
|
gptkbp:instrument
|
gptkb:organ
|
|
gptkbp:known_for
|
Music composition
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Influence on choral music
Influence on music theory
Influence on English music education
Influence on music publishing
Influence on madrigal writing
|
|
gptkbp:nationality
|
English
|
|
gptkbp:notable_students
|
gptkb:John_Dowland
|
|
gptkbp:notable_work
|
gptkb:Plaine_and_Easie_Introduction_to_Practicall_Musicke
|
|
gptkbp:occupation
|
gptkb:piano
|
|
gptkbp:period
|
gptkb:Renaissance
|
|
gptkbp:place_of_birth
|
gptkb:Norwich
|
|
gptkbp:place_of_death
|
gptkb:London
|
|
gptkbp:published
|
gptkb:The_Triumphs_of_Oriana
gptkb:The_First_Book_of_Ayres
gptkb:The_First_Book_of_Madrigals
The First Book of Canzonets
The Second Book of Canzonets
|
|
gptkbp:spouse
|
gptkb:Unknown
|
|
gptkbp:style
|
Polyphonic
|
|
gptkbp:work_location
|
gptkb:St._Paul's_Cathedral
|
|
gptkbp:wrote
|
Sacred music
Secular music
Consort music
Canzonets
|
|
gptkbp:bfsParent
|
gptkb:Thomas_Tallis
|
|
gptkbp:bfsLayer
|
6
|