|
gptkbp:instanceOf
|
Actor
|
|
gptkbp:activeYears
|
1660-1710
|
|
gptkbp:associatedAct
|
gptkb:The_King's_Company
gptkb:The_United_Company
|
|
gptkbp:birthDate
|
1635-01-01
|
|
gptkbp:birthPlace
|
gptkb:London
|
|
gptkbp:burialPlace
|
gptkb:Westminster_Abbey
|
|
gptkbp:contribution
|
Development of Restoration comedy
Promotion of female roles in theatre
|
|
gptkbp:deathDate
|
1713-04-28
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gptkbp:deathPlace
|
gptkb:London
|
|
gptkbp:education
|
gptkb:St._Paul's_School,_London
|
|
gptkbp:famousFor
|
Dramatic performances
|
|
gptkbp:genre
|
Comedy
Tragedy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Thomas Betterton
|
|
gptkbp:influence
|
gptkb:English_theatre
|
|
gptkbp:influenced
|
gptkb:John_Philip_Kemble
gptkb:David_Garrick
gptkb:Edmund_Kean
|
|
gptkbp:influencedBy
|
gptkb:William_Shakespeare
gptkb:Ben_Jonson
gptkb:John_Dryden
|
|
gptkbp:knownFor
|
Leading actor in Restoration theatre
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Influence on future generations of actors
|
|
gptkbp:musicStyle
|
gptkb:Victorian_theatre
Realism
Romanticism
Satire
Tragedy
Farce
Comedy of manners
Melodrama
Naturalism
Modern theatre
Restoration style
|
|
gptkbp:nationality
|
English
|
|
gptkbp:notableWork
|
The Relapse
The Way of the World
The Country Wife
|
|
gptkbp:occupation
|
Theatre_Manager
|
|
gptkbp:role
|
gptkb:Lord_Foppington
Hamlet
Othello
King Lear
Sir John Brute
|
|
gptkbp:spouse
|
gptkb:Mary_Betterton
|