|
gptkbp:instance_of
|
gptkb:art_exhibition
|
|
gptkbp:art_style
|
gptkb:Post-Impressionism
gptkb:Modernism
|
|
gptkbp:artistic_focus
|
gptkb:Symbolism
gptkb:Expressionism
|
|
gptkbp:artworks
|
over 200
|
|
gptkbp:attendance
|
high
|
|
gptkbp:criticism
|
mixed reviews
|
|
gptkbp:cultural_significance
|
Promoting avant-garde art
|
|
gptkbp:curator
|
gptkb:Josef_Hoffmann
|
|
gptkbp:exhibition
|
gptkb:exhibition
illustrated
published
|
|
gptkbp:exhibition_duration
|
several weeks
|
|
gptkbp:exhibition_impact
|
Public engagement
Artistic innovation
Critical discourse
Cultural dialogue
Artistic collaboration
|
|
gptkbp:exhibition_space
|
gptkb:Secession_Building
|
|
gptkbp:exhibitions
|
International exhibitions
Secession exhibitions
|
|
gptkbp:featured_in
|
gptkb:Portrait_of_Adele_Bloch-Bauer_I
gptkb:The_Embrace
gptkb:The_Kiss
gptkb:Death_and_Life
|
|
gptkbp:historical_context
|
turn of the 20th century
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Third Secession Exhibition
|
|
gptkbp:impact
|
Affecting future exhibitions
|
|
gptkbp:influenced_by
|
gptkb:Art_Nouveau
|
|
gptkbp:is_organized_by
|
gptkb:Vienna_Secession
|
|
gptkbp:legacy
|
Influence on modern art movements
|
|
gptkbp:location
|
gptkb:Vienna
|
|
gptkbp:movement
|
gptkb:Vienna_Secession
Secessionist movement
|
|
gptkbp:notable_artists
|
gptkb:Koloman_Moser
gptkb:Egon_Schiele
gptkb:Gustav_Klimt
|
|
gptkbp:notable_exhibitions
|
gptkb:sculptures
paintings
graphic arts
|
|
gptkbp:notable_visitor
|
gptkb:art_critics
art collectors
public figures
|
|
gptkbp:predecessor
|
gptkb:Second_Secession_Exhibition
|
|
gptkbp:successor
|
gptkb:Fourth_Secession_Exhibition
|
|
gptkbp:theme
|
modern art
|
|
gptkbp:year
|
1901
|
|
gptkbp:bfsParent
|
gptkb:Secession_Exhibition
gptkb:Vienna_Secession_Movement
|
|
gptkbp:bfsLayer
|
5
|