|
gptkbp:instance_of
|
gptkb:album
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:radio_station
gptkb:graphic_novel
gptkb:theater
gptkb:film
gptkb:stage_play
|
|
gptkbp:adaptation_year
|
gptkb:2015
|
|
gptkbp:adapted_into
|
gptkb:film
gptkb:stage_play
Chinua Achebe's experiences
|
|
gptkbp:addresses
|
gptkb:exile
|
|
gptkbp:artist
|
gptkb:The_Roots
|
|
gptkbp:author
|
gptkb:Chinua_Achebe
|
|
gptkbp:awards
|
gptkb:none
gptkb:Grammy_Award_for_Best_Rap_Performance_by_a_Duo_or_Group
gptkb:NAACP_Image_Award_for_Outstanding_Album
|
|
gptkbp:certification
|
gptkb:gold
|
|
gptkbp:character
|
gptkb:Ekwefi
gptkb:Ezinma
gptkb:Ikemefuna
gptkb:Nwoye
Obierika
|
|
gptkbp:character_development
|
Okonkwo's downfall
Ikemefuna's fate
Nwoye's transformation
Ekwefi's resilience
Obierika's loyalty
|
|
gptkbp:character_relationships
|
Okonkwo and Ekwefi
Okonkwo and Nwoye
Okonkwo and his father
Okonkwo and his village
|
|
gptkbp:chart_position
|
#4 on Billboard 200
#1 on Top R& B/ Hip-Hop Albums
|
|
gptkbp:climax
|
Okonkwo's exile
|
|
gptkbp:conflict
|
personal and societal
personal vs societal
individual vs colonial power
|
|
gptkbp:contains
|
proverbs
|
|
gptkbp:cover_art
|
artwork by Kadir Nelson
|
|
gptkbp:created_by
|
gptkb:The_Roots
|
|
gptkbp:critical_analysis
|
historical perspectives
psychological perspectives
post-colonial studies
sociological perspectives
feminist perspectives
feminist perspective
historical perspective
postcolonial perspectives
psychological perspective
postcolonial perspective
|
|
gptkbp:critical_reception
|
acclaimed
widely acclaimed
|
|
gptkbp:cultural_aspect
|
colonial impact
pre-colonial Africa
Igbo society
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:cultural_references
|
gptkb:social_hierarchy
gptkb:rituals
traditional beliefs
gender roles
Igbo customs
|
|
gptkbp:cultural_significance
|
Igbo culture
postcolonial literature
pioneering work in African literature
|
|
gptkbp:depicts
|
colonial resistance
family dynamics
colonial impact
pre-colonial Igbo society
pre-colonial life
|
|
gptkbp:discusses
|
gptkb:cultural_identity
gptkb:identity
masculinity
colonial impact
|
|
gptkbp:element
|
the egwugwu
the kola nut
the locusts
|
|
gptkbp:examines
|
gender roles
|
|
gptkbp:explores
|
gptkb:colonialism
masculinity
personal ambition
fate vs free will
|
|
gptkbp:features
|
gptkb:folklore
gptkb:D'_Angelo
gptkb:Erykah_Badu
gptkb:Mos_Def
gptkb:Questlove
gptkb:Dice_Raw
gptkb:Black_Thought
gptkb:common
gptkb:rituals
female characters
clan structure
|
|
gptkbp:first_week_sales
|
over 100,000 copies
|
|
gptkbp:followed_by
|
gptkb:No_Longer_at_Ease
Phrenology
|
|
gptkbp:follows
|
Igbo culture
Okonkwo's life
|
|
gptkbp:genre
|
gptkb:historical_fiction
hip hop
|
|
gptkbp:has
|
multiple editions
symbolism
critical essays
a lasting legacy
a film adaptation
a graphic novel adaptation
|
|
gptkbp:has_been
|
adapted into various media
translated into over 50 languages
|
|
gptkbp:highlights
|
spiritual beliefs
|
|
gptkbp:historical_context
|
colonial impact
Igbo customs
pre-colonial Nigeria
Christian missionary influence
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Things Fall Apart
|
|
gptkbp:impact
|
literary studies
global literature
African writers
|
|
gptkbp:included
|
gptkb:cannon
|
|
gptkbp:includes
|
gptkb:conflict
|
|
gptkbp:influence
|
African literature
global literature
Nigerian writers
|
|
gptkbp:influenced
|
African literature
postcolonial literature
subsequent hip hop artists
subsequent hip hop albums
neo-soul movement
|
|
gptkbp:influenced_artists
|
gptkb:Anderson_._Paak
gptkb:Kendrick_Lamar
gptkb:J._Cole
gptkb:A_Tribe_Called_Quest
gptkb:Chance_the_Rapper
|
|
gptkbp:influenced_by
|
gptkb:jazz
gptkb:soul
Igbo culture
funk
African oral traditions
R& B
|
|
gptkbp:inspiration
|
Igbo culture
colonial history
postcolonial literature
African studies
Achebe's experiences
Igbo folklore
|
|
gptkbp:inspired
|
scholarly analysis
|
|
gptkbp:inspired_by
|
Chinua Achebe's novel
|
|
gptkbp:is_about
|
cultural clash
|
|
gptkbp:is_available_in
|
gptkb:novel_adaptations
audiobook format
ebook format
|
|
gptkbp:is_cited_in
|
gptkb:Academic
gptkb:literary_criticism
academic papers
cultural studies
literary critiques
|
|
gptkbp:is_considered
|
classic literature
a must-read
one of the greatest African novels
|
|
gptkbp:is_considered_as
|
a seminal work
|
|
gptkbp:is_discussed_in
|
literary circles
|
|
gptkbp:is_influenced_by
|
gptkb:Igbo_mythology
|
|
gptkbp:is_influential_in
|
postcolonial studies
|
|
gptkbp:is_part_of
|
world literature canon
world literature curriculum
|
|
gptkbp:is_recognized_as
|
a foundational text
seminal work
|
|
gptkbp:is_recognized_by
|
Nigerian literary community
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_set_in
|
gptkb:late_19th_century
gptkb:Umuofia
|
|
gptkbp:is_studied_in
|
schools
|
|
gptkbp:is_taught_in
|
schools
|
|
gptkbp:isbn
|
978-0385474542
|
|
gptkbp:label
|
gptkb:MCA_Records
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic
influential in hip hop culture
recognized for lyrical depth
recognized for musical innovation
|
|
gptkbp:length
|
64:12
|
|
gptkbp:literary_devices
|
gptkb:metaphor
simile
imagery
irony
proverbs
foreshadowing
|
|
gptkbp:literary_significance
|
pioneering work
|
|
gptkbp:main_character
|
gptkb:Okonkwo
|
|
gptkbp:motif
|
gptkb:fate
gptkb:family
masculinity
|
|
gptkbp:narrative
|
third-person
|
|
gptkbp:narrative_style
|
flashbacks
third-person omniscient
|
|
gptkbp:notable_track
|
gptkb:The_Spark
gptkb:The_Next_Movement
gptkb:You_Got_Me
Dynamite!
Act Too (The Love of My Life)
|
|
gptkbp:notable_tracks
|
gptkb:Act_Too_(Love_of_My_Life)
gptkb:The_Next_Movement
gptkb:You_Got_Me
Dynamite!
Step Into The Realm
|
|
gptkbp:number_of_tracks
|
varied
|
|
gptkbp:page_count
|
209
|
|
gptkbp:part_of
|
gptkb:African_Trilogy
|
|
gptkbp:part_of_series
|
gptkb:African_Trilogy
|
|
gptkbp:preceded_by
|
gptkb:Illadelph_Halflife
|
|
gptkbp:presents
|
community life
|
|
gptkbp:producer
|
gptkb:The_Roots
|
|
gptkbp:protagonist
|
gptkb:Okonkwo
|
|
gptkbp:published
|
gptkb:1958
|
|
gptkbp:published_in
|
gptkb:1958
|
|
gptkbp:recorded_in
|
gptkb:1998
|
|
gptkbp:recording_location
|
gptkb:The_Studio_at_the_Palms
gptkb:Electric_Lady_Studios
gptkb:The_Hit_Factory
|
|
gptkbp:release_date
|
1999-02-23
|
|
gptkbp:release_year
|
gptkb:1999
|
|
gptkbp:released_in
|
gptkb:Australia
gptkb:Canada
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:released_on
|
February 23, 1999
|
|
gptkbp:resolution
|
Okonkwo's fate
Okonkwo's death
|
|
gptkbp:sales
|
over 1 million copies
|
|
gptkbp:set_in
|
gptkb:Nigeria
|
|
gptkbp:setting
|
gptkb:Nigeria
Igbo society in Nigeria
|
|
gptkbp:story_arc
|
gptkb:tragedy
|
|
gptkbp:symbolism
|
gptkb:Fire
gptkb:Wrestling
yams
|
|
gptkbp:symbolizes
|
cultural clash
Okonkwo's downfall
|
|
gptkbp:theme
|
gptkb:colonialism
gptkb:identity
gptkb:community
love
relationships
social issues
personal struggles
tradition vs. change
tradition vs change
struggles of urban life
|
|
gptkbp:themes
|
fate vs free will
tradition vs change
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:viewpoint
|
third-person
multiple perspectives
|
|
gptkbp:written_by
|
gptkb:Chinua_Achebe
|
|
gptkbp:bfsParent
|
gptkb:Nautilus
gptkb:The_Roots_Band
gptkb:The_Roots
gptkb:Black_Thought
|
|
gptkbp:bfsLayer
|
4
|