gptkbp:instance_of
|
gptkb:film
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gptkbp:bfsLayer
|
3
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gptkbp:bfsParent
|
gptkb:Peter_Jackson
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gptkbp:archives
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gptkb:Imperial_War_Museum
|
gptkbp:art_style
|
restored footage
|
gptkbp:audience
|
general public
widely praised
95% on Rotten Tomatoes
94% on Rotten Tomatoes
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gptkbp:awards
|
gptkb:award
gptkb:BAFTA_Award_for_Best_Documentary
Academy Award nomination for Best Documentary Feature
|
gptkbp:based_on
|
World War I archival footage
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gptkbp:box_office
|
$3.5 million
$3.3 million
limited theatrical release
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gptkbp:cinematography
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gptkb:Andrew_Lesnie
|
gptkbp:color
|
gptkb:battle
digital colorization
|
gptkbp:composer
|
gptkb:George_Fenton
|
gptkbp:country
|
gptkb:United_Kingdom
|
gptkbp:critical_reception
|
positive
positive reviews
|
gptkbp:cultural_impact
|
educational use in schools
increased interest in WWI history
|
gptkbp:cultural_significance
|
commemoration of WWI
|
gptkbp:director
|
gptkb:Peter_Jackson
|
gptkbp:distributor
|
gptkb:Warner_Bros._Pictures
|
gptkbp:documentary
|
gptkb:battle
|
gptkbp:editor
|
gptkb:Jill_Bilcock
documentary style
|
gptkbp:film_festival
|
gptkb:New_Zealand_International_Film_Festival
|
gptkbp:film_score
|
gptkb:original_score_by_George_Fenton
gptkb:musical
|
gptkbp:filming_location
|
gptkb:United_Kingdom
|
gptkbp:filmography
|
gptkb:Jill_Bilcock
99 minutes
extensive archival research
educational use in schools
feature-length documentary
documentary realism
restoration and colorization
|
gptkbp:format
|
gptkb:film
|
gptkbp:genre
|
gptkb:film
|
gptkbp:historical_context
|
gptkb:First_World_War
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gptkbp:home_media_release
|
gptkb:2019
March 2019
|
https://www.w3.org/2000/01/rdf-schema#label
|
They Shall Not Grow Old
|
gptkbp:impact
|
increased interest in WWI
|
gptkbp:influences
|
previous war documentaries
|
gptkbp:is_criticized_for
|
highly praised
acclaimed by critics
|
gptkbp:language
|
English
|
gptkbp:legacy
|
significant documentary in film history
|
gptkbp:music
|
gptkb:George_Fenton
David Donaldson
|
gptkbp:narrative_style
|
archival footage
personal stories of soldiers
first-person accounts
|
gptkbp:performance
|
high
highly regarded
|
gptkbp:premiere
|
gptkb:London_Film_Festival
gptkb:BFI_London_Film_Festival
|
gptkbp:production_company
|
gptkb:Wing_Nut_Films
|
gptkbp:production_years
|
gptkb:2017
|
gptkbp:rating
|
94% on Rotten Tomatoes
|
gptkbp:release_date
|
gptkb:2018
December 17, 2018
|
gptkbp:release_format
|
theatrical
|
gptkbp:release_year
|
gptkb:2018
|
gptkbp:runtime
|
99 minutes
|
gptkbp:screenings
|
limited theatrical release
3 D
|
gptkbp:screenplay_by
|
gptkb:Peter_Jackson
|
gptkbp:sound
|
immersive sound
sound restoration
|
gptkbp:subject
|
gptkb:World_War_I
|
gptkbp:target_audience
|
general public
history enthusiasts
|
gptkbp:technique
|
3 D restoration
|
gptkbp:theme
|
World War I experiences
|
gptkbp:themes
|
the horrors of war
|
gptkbp:viewing_platform
|
gptkb:film
|
gptkbp:visitors
|
immersive
|
gptkbp:visual_effects
|
gptkb:Weta_Digital
|
gptkbp:voice_actor
|
gptkb:Timothy_John_Le_Carre
gptkb:Martin_Freeman
interviews with veterans
|