|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:AFI100
|
nominated
|
|
gptkbp:antagonistActor
|
gptkb:Paul_Dano
|
|
gptkbp:authorOfSourceMaterial
|
gptkb:Upton_Sinclair
|
|
gptkbp:basedOn
|
gptkb:Oil!_(novel)
|
|
gptkbp:boxOfficeGross
|
$76.2 million
|
|
gptkbp:budget
|
$25 million
|
|
gptkbp:cinematography
|
gptkb:Robert_Elswit
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:criticalReception
|
acclaimed
|
|
gptkbp:director
|
gptkb:Paul_Thomas_Anderson
|
|
gptkbp:distributor
|
gptkb:Paramount_Vantage
|
|
gptkbp:editingBy
|
gptkb:Dylan_Tichenor
|
|
gptkbp:enemyOf
|
gptkb:Eli_Sunday
|
|
gptkbp:filmingLocation
|
gptkb:Marfa,_Texas
gptkb:California
|
|
gptkbp:genre
|
drama
historical drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
There Will Be Blood
|
|
gptkbp:language
|
English
|
|
gptkbp:mainCharacter
|
gptkb:Daniel_Plainview
gptkb:Daniel_Day-Lewis
|
|
gptkbp:metacriticScore
|
93
|
|
gptkbp:musicBy
|
gptkb:Jonny_Greenwood
|
|
gptkbp:nominatedFor
|
8
Best Actor (Daniel Day-Lewis)
Best Cinematography (Robert Elswit)
|
|
gptkbp:notableScene
|
milkshake monologue
|
|
gptkbp:premiereDate
|
gptkb:2007_AFI_Fest
|
|
gptkbp:producer
|
gptkb:JoAnne_Sellar
gptkb:Paul_Thomas_Anderson
gptkb:Daniel_Lupi
|
|
gptkbp:productionCompany
|
gptkb:Ghoulardi_Film_Company
gptkb:Miramax_Films
gptkb:Paramount_Vantage
|
|
gptkbp:releaseDate
|
2007-12-26
|
|
gptkbp:RottenTomatoesScore
|
91%
|
|
gptkbp:runtime
|
158 minutes
|
|
gptkbp:screenwriter
|
gptkb:Paul_Thomas_Anderson
|
|
gptkbp:setIn
|
gptkb:California
|
|
gptkbp:setInPeriod
|
early 20th century
late 19th century
|
|
gptkbp:starring
|
gptkb:Dillon_Freasier
gptkb:Kevin_J._O'Connor
gptkb:Ciarán_Hinds
gptkb:Daniel_Day-Lewis
gptkb:Paul_Dano
|
|
gptkbp:theme
|
gptkb:family
gptkb:religion
capitalism
greed
|
|
gptkbp:bfsParent
|
gptkb:Cannes_Film_Festival
gptkb:Sir_Daniel_Day-Lewis
gptkb:Ciarán_Hinds
gptkb:Daniel_Day-Lewis
gptkb:Paul_Thomas_Anderson
gptkb:Greystone_Mansion
gptkb:Paul_F._Tompkins
|
|
gptkbp:bfsLayer
|
5
|