gptkbp:instanceOf
|
musical revue
|
gptkbp:associatedWith
|
gptkb:New_York_City
gptkb:American_theater
Great Depression
entertainment industry
musical theater history
|
gptkbp:culturalImpact
|
influenced future musical revues
popularized lavish production numbers
showcased female performers
highlighted_American_culture_of_the_1930s
|
gptkbp:design
|
gptkb:Cecil_Beaton
|
gptkbp:filmography
|
gptkb:Ziegfeld_Theatre
|
gptkbp:genre
|
musical comedy
|
gptkbp:hasDescription
|
gptkb:Joseph_Urban
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Ziegfeld Follies of 1933
|
gptkbp:influencedBy
|
gptkb:Vaudeville
gptkb:Ziegfeld_Follies
Broadway_musicals
|
gptkbp:language
|
English
|
gptkbp:movement
|
gptkb:Busby_Berkeley
|
gptkbp:musicBy
|
gptkb:Richard_A._Whiting
|
gptkbp:notableFeature
|
gptkb:Louise_Dresser
gptkb:Ethel_Waters
gptkb:Ray_Bolger
gptkb:Fanny_Brice
gptkb:Will_Rogers
|
gptkbp:notableSong
|
gptkb:I_Can't_Give_You_Anything_But_Love
gptkb:Ain't_She_Sweet
The Best Things in Life Are Free
My Man
The Birth of the Blues
|
gptkbp:numberOfStudents
|
274
|
gptkbp:openedIn
|
February 24, 1934
|
gptkbp:premieredOn
|
May 31, 1933
|
gptkbp:producedBy
|
gptkb:Florenz_Ziegfeld
|
gptkbp:soundtrack
|
gptkb:Ray_Henderson
gptkb:Lew_Brown
B._G._DeSylva
|