gptkbp:instanceOf
|
musical revue
|
gptkbp:associatedWith
|
gptkb:Ziegfeld_Theatre
gptkb:the_Jazz_Age
gptkb:Broadway
the Roaring Twenties
American_entertainment_history
|
gptkbp:audience
|
general public
|
gptkbp:completed
|
1918
|
gptkbp:culturalImpact
|
popularized the chorus line
influenced_Broadway_musicals
reflected_post-war_America
showcased_American_talent
|
gptkbp:duration
|
seasonal
|
gptkbp:features
|
music and dance performances
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Ziegfeld Follies of 1918
|
gptkbp:influencedBy
|
gptkb:Vaudeville
cabaret
|
gptkbp:isReflectedIn
|
later productions
|
gptkbp:legacy
|
influenced future revues
celebrated_American_culture
established_Ziegfeld's_reputation
|
gptkbp:location
|
gptkb:New_York_City
|
gptkbp:notableFeature
|
gptkb:Louise_Dresser
gptkb:Ethel_Waters
gptkb:Fanny_Brice
gptkb:Will_Rogers
Edna May
|
gptkbp:notableSong
|
gptkb:I_Can't_Give_You_Anything_But_Love
gptkb:Ain't_She_Sweet
The Best Things in Life Are Free
My Man
|
gptkbp:numberOfStudents
|
multiple
|
gptkbp:officialLanguage
|
English
|
gptkbp:premieredOn
|
1918
|
gptkbp:producedBy
|
gptkb:Florenz_Ziegfeld
|
gptkbp:style
|
variety show
|
gptkbp:successor
|
gptkb:The_Ziegfeld_Follies_of_1919
|
gptkbp:thematicElement
|
satire
social commentary
glamour
|