|
gptkbp:instance_of
|
gptkb:book
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:N/_A
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:audience
|
mixed reviews from audiences.
|
|
gptkbp:author
|
gptkb:Gerry_Conlon
gptkb:John_Grisham
|
|
gptkbp:available_in
|
audiobook format
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:streaming_platforms
|
|
gptkbp:awards
|
gptkb:none
Independent Spirit Award nomination
nominated for Academy Awards
|
|
gptkbp:based_on
|
true story
the case of David Ray Harris
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Detective
gptkb:Witness
gptkb:Manny_Balestrero
gptkb:Rosemary_Balestrero
gptkb:lawyer
Detective.
Defense Attorney.
Witness.
Judge.
Prosecutor.
Bailiff.
Clerk.
Jury.
Manny Balestrero.
Rosemary Balestrero.
Rose Balestrero
|
|
gptkbp:character_development
|
depicts the impact of the legal system.
focuses on the protagonist's struggle.
|
|
gptkbp:cinematography
|
gptkb:Robert_Burks
gptkb:Errol_Morris
|
|
gptkbp:cinematography_by
|
gptkb:Robert_Burks
|
|
gptkbp:color
|
black and white
|
|
gptkbp:composer
|
gptkb:Philip_Glass
|
|
gptkbp:contains
|
personal anecdotes
archival footage
dramatic reenactments
|
|
gptkbp:contributes_to
|
discourse on justice
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive
generally positive
positive reviews
|
|
gptkbp:cultural_impact
|
considered a classic
considered a classic.
influential in crime films.
inspired discussions on wrongful convictions.
|
|
gptkbp:cultural_significance
|
highlighting miscarriages of justice
explores themes of wrongful conviction.
explores wrongful conviction.
|
|
gptkbp:directed_by
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:director
|
gptkb:Errol_Morris
gptkb:Alfred_Hitchcock
gptkb:Jim_Sheridan
|
|
gptkbp:discusses
|
police misconduct
political context
judicial errors
the flaws in the justice system
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
gptkb:Sony_Pictures_Classics
|
|
gptkbp:edited_by
|
gptkb:George_Tomasini
|
|
gptkbp:editor
|
gptkb:Evan_Frankfort
|
|
gptkbp:explores
|
themes of justice and truth
|
|
gptkbp:features
|
gptkb:interviews
gptkb:media_coverage
court documents
expert commentary
interviews with key figures
|
|
gptkbp:film_editing
|
gptkb:George_Tomasini
gptkb:Daniel_Day-Lewis
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_length
|
105 minutes
|
|
gptkbp:film_score
|
7.8
|
|
gptkbp:film_technique
|
black-and-white
uses close-ups.
employs psychological tension.
features dramatic lighting.
incorporates real locations.
uses suspense.
utilizes a documentary style.
|
|
gptkbp:filming_location
|
gptkb:New_York_City
New York City.
|
|
gptkbp:first_performance
|
1946
|
|
gptkbp:focus
|
injustice
|
|
gptkbp:followed_by
|
gptkb:N/_A
|
|
gptkbp:follows
|
the story of a man wrongfully accused
|
|
gptkbp:genre
|
gptkb:autobiography
gptkb:AFI's_10_Top_10
gptkb:drama
gptkb:documentary
gptkb:crime
crime drama
legal thriller
|
|
gptkbp:has
|
a cult following
|
|
gptkbp:has_adaptation
|
gptkb:radio_station
gptkb:television_adaptation
|
|
gptkbp:has_character
|
the judge
the accused
the witness
the lawyer
|
|
gptkbp:has_conflict_with
|
man vs. society
man vs. self
man vs. law
|
|
gptkbp:has_legacy
|
influence on legal dramas
influence on American theater
|
|
gptkbp:has_reception
|
mixed reviews
|
|
gptkbp:has_setting
|
gptkb:prison
courtroom
|
|
gptkbp:has_theme
|
gptkb:justice
morality
truth
|
|
gptkbp:highlights
|
the impact of wrongful convictions
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
gptkb:2001
gptkb:2012
DVD.
Blu-ray.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Wrong Man
|
|
gptkbp:impact
|
awareness of wrongful convictions
|
|
gptkbp:influenced
|
gptkb:legal_reforms
gptkb:public_opinion
subsequent crime dramas
subsequent legal dramas.
Errol Morris's later works
subsequent true crime documentaries
|
|
gptkbp:influenced_by
|
personal experiences
real-life events
human rights activism
real-life events.
film noir.
Alfred Hitchcock's previous works.
Alfred Hitchcock's style
The Wrong Man (book)
The case of Christopher Emmanuel Bailey
|
|
gptkbp:influences
|
film noir
|
|
gptkbp:inspiration
|
Hitchcock's own experiences.
real-life case of Christopher Emmanuel Balestrero
The book " The Wrong Man" by Maxwell Anderson.
|
|
gptkbp:inspired
|
gptkb:documentaries
books on wrongful convictions
|
|
gptkbp:inspired_by
|
gptkb:Manny_Balestrero
|
|
gptkbp:is
|
a documentary film
a critical examination of a specific case
a part of Errol Morris's filmography
|
|
gptkbp:is_available_in
|
gptkb:audiobook
gptkb:print
digital format
|
|
gptkbp:is_available_on
|
various platforms
|
|
gptkbp:is_cited_in
|
academic papers
legal studies
|
|
gptkbp:is_considered
|
important work
a classic play
|
|
gptkbp:is_notable_for
|
gptkb:character_development
social commentary
exploring legal issues
|
|
gptkbp:is_part_of
|
gptkb:American_theater
literature on wrongful convictions
|
|
gptkbp:is_referenced_in
|
gptkb:literature
film studies
human rights discussions
legal studies
legal discussions
media discussions
|
|
gptkbp:is_studied_in
|
theater courses
|
|
gptkbp:is_used_in
|
educational settings
|
|
gptkbp:isbn
|
978-0-679-43929-0
978-0385538651
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic.
influenced future crime dramas
remains relevant in discussions of justice.
|
|
gptkbp:main_character
|
gptkb:Rudy_Baylor
|
|
gptkbp:music
|
gptkb:Bernard_Herrmann
|
|
gptkbp:music_by
|
gptkb:Bernard_Herrmann
|
|
gptkbp:narrative
|
gptkb:crime
|
|
gptkbp:narrative_style
|
first-person
third-person
docudrama
|
|
gptkbp:notable_aspect
|
based on a true story
real-life case of Christopher Emmanuel.
|
|
gptkbp:notable_quote
|
" I am not a criminal."
|
|
gptkbp:notable_scene
|
flashbacks
courtroom scenes
courtroom scene
climactic confrontation
confrontation scene
final resolution
police interrogation
arrest scene
|
|
gptkbp:page_count
|
gptkb:368
320
|
|
gptkbp:performed_at
|
gptkb:Broadway
community theaters
regional theaters
|
|
gptkbp:performed_by
|
various theater companies
|
|
gptkbp:plot
|
A man is wrongfully accused of robbery.
|
|
gptkbp:premiere
|
gptkb:New_York_City
gptkb:Sundance_Film_Festival
|
|
gptkbp:premiere_date
|
1955-10-01
1955-12-15
|
|
gptkbp:premiered_on
|
gptkb:New_York_City
|
|
gptkbp:produced_by
|
gptkb:Hitchcock_Productions
gptkb:Alfred_Hitchcock
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:publication_year
|
gptkb:1993
|
|
gptkbp:published_by
|
gptkb:Random_House
|
|
gptkbp:published_in
|
1946
|
|
gptkbp:published_year
|
gptkb:2015
|
|
gptkbp:publisher
|
gptkb:Doubleday
|
|
gptkbp:rating
|
7.8/10
|
|
gptkbp:related_to
|
gptkb:Birmingham_Six
gptkb:Guildford_Four
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1956
October 1956
1956-09-25
|
|
gptkbp:release_format
|
theatrical
theatrical.
|
|
gptkbp:release_year
|
gptkb:1956
gptkb:1999
gptkb:2007
|
|
gptkbp:released_in
|
gptkb:1956
|
|
gptkbp:remake
|
gptkb:none
none.
|
|
gptkbp:reviews
|
gptkb:Roger_Ebert
|
|
gptkbp:runtime
|
105 minutes
90 minutes
|
|
gptkbp:screenplay
|
gptkb:Errol_Morris
gptkb:Maxwell_Anderson
|
|
gptkbp:screenplay_by
|
gptkb:Maxwell_Anderson
|
|
gptkbp:series
|
gptkb:N/_A
|
|
gptkbp:set_in
|
gptkb:New_York_City
|
|
gptkbp:setting
|
gptkb:Northern_Ireland
gptkb:United_States
|
|
gptkbp:soundtrack
|
gptkb:original_score
available.
Bernard Herrmann's score
|
|
gptkbp:starring
|
gptkb:Henry_Fonda
gptkb:Vera_Miles
|
|
gptkbp:subject
|
gptkb:legal_case
|
|
gptkbp:themes
|
gptkb:justice
gptkb:corruption
gptkb:identity
gptkb:legal_case
innocence
morality
truth
perception of guilt
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:viewing_format
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:written_by
|
gptkb:Maxwell_Anderson
|
|
gptkbp:bfsParent
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:bfsLayer
|
3
|