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gptkbp:instance_of
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gptkb:artwork
gptkb:play
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
|
gptkb:2015_Venice_Biennale
gptkb:Daniel_Kehlmann
gptkb:Liverpool_Biennial_of_Contemporary_Art
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gptkbp:adaptation
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gptkb:As_You_Like_It
gptkb:film
television adaptations
musical adaptations
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gptkbp:challenges
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Traditional boundaries of performance art
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gptkbp:character
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gptkb:Sir_Rowland_de_Bois
gptkb:Orlando
gptkb:Adam
gptkb:Duke_Frederick
gptkb:Audrey
gptkb:Celia
gptkb:Duke_Senior
gptkb:Oliver
gptkb:Rosalind
gptkb:Silvius
gptkb:Touchstone
gptkb:William
Corin
Jaques
Phebe
Le Beau
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gptkbp:collaborations
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Other artists
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|
gptkbp:created_by
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gptkb:Marina_Abramović
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gptkbp:duration
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Approximately 6 hours
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|
gptkbp:examines
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The nature of reality
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gptkbp:explores
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Presence and absence
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gptkbp:features
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gptkb:Improvisation
Live audience interaction
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|
gptkbp:first_performance
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1607
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gptkbp:genre
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gptkb:earthquake
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gptkbp:has_influence_on
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Subsequent performance artists
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https://www.w3.org/2000/01/rdf-schema#label
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The World as a Stage
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gptkbp:includes
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Physical endurance
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gptkbp:influence
|
gptkb:philosopher
gptkb:physicist
gptkb:theatre
gptkb:psychologist
Western literature
performance studies
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gptkbp:influenced_by
|
gptkb:theatre
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|
gptkbp:inspired_by
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The concept of the fourth wall
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|
gptkbp:is_a_source_of
|
Inspiration for artists
|
|
gptkbp:is_analyzed_in
|
Art theory
Art critics
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|
gptkbp:is_associated_with
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The performance art movement
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|
gptkbp:is_characterized_by
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Audience participation
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gptkbp:is_considered
|
A landmark performance piece
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gptkbp:is_criticized_for
|
Consumer culture
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|
gptkbp:is_discussed_in
|
Art history courses
Documentaries about performance art
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gptkbp:is_documented_in
|
Art publications
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gptkbp:is_featured_in
|
Art exhibitions
|
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gptkbp:is_known_for
|
Its emotional intensity
Provocative nature
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gptkbp:is_often_compared_to
|
Other performance art pieces
|
|
gptkbp:is_part_of
|
Contemporary art discourse
Marina Abramović's legacy
|
|
gptkbp:is_recognized_for
|
Its innovative approach
|
|
gptkbp:is_referenced_in
|
Cultural studies
|
|
gptkbp:is_reflected_in
|
Human experience
|
|
gptkbp:key_event
|
Marina Abramović's career
|
|
gptkbp:language
|
English
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gptkbp:location
|
Various locations
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gptkbp:notable_performance
|
gptkb:The_Oregon_Shakespeare_Festival
gptkb:The_Folger_Theatre
gptkb:Shakespeare_in_the_Park
gptkb:The_Chicago_Shakespeare_Theater
gptkb:The_Utah_Shakespeare_Festival
gptkb:theatre
gptkb:The_Old_Vic
gptkb:The_Royal_Court_Theatre
gptkb:Bard_on_the_Beach
gptkb:The_Globe_Theatre
gptkb:The_Alabama_Shakespeare_Festival
gptkb:The_Stratford_Festival
gptkb:Royal_Shakespeare_Company
gptkb:The_Public_Theater
gptkb:The_Shakespeare_Festival_of_New_Jersey
gptkb:The_Great_River_Shakespeare_Festival
gptkb:The_Pennsylvania_Shakespeare_Festival
gptkb:The_American_Shakespeare_Center
gptkb:The_Shakespeare_Theatre_Company
The Shakespeare Festival at the Folger Theatre
|
|
gptkbp:notable_performers
|
Societal norms
|
|
gptkbp:notable_quote
|
All the world's a stage.
|
|
gptkbp:part_of
|
Marina Abramović's body of work
|
|
gptkbp:performed_by
|
gptkb:The_United_States
gptkb:Europe
gptkb:Marina_Abramović
Art festivals
|
|
gptkbp:premiered_on
|
gptkb:2005
|
|
gptkbp:published_by
|
1623
|
|
gptkbp:received
|
Critical acclaim
|
|
gptkbp:setting
|
gptkb:theatre
|
|
gptkbp:significance
|
Performance art history
|
|
gptkbp:style
|
Conceptual art
|
|
gptkbp:subject
|
Academic research
Public discourse
|
|
gptkbp:theme
|
The relationship between performer and audience
life as a performance
|
|
gptkbp:utilizes
|
Minimalist elements
|
|
gptkbp:written_by
|
gptkb:Educational_Institution
|