|
gptkbp:instance_of
|
gptkb:album
gptkb:music_video
|
|
gptkbp:album
|
gptkb:Being_Funny_in_a_Foreign_Language
|
|
gptkbp:art_style
|
vibrant and colorful
creative and innovative
|
|
gptkbp:artist
|
gptkb:The_1975
gptkb:The_Word_Alive
|
|
gptkbp:audience
|
high interaction on social media
|
|
gptkbp:awards
|
nominated for Best Music Video
|
|
gptkbp:behind_the_scenes
|
documentary footage
|
|
gptkbp:character_appearance
|
varied styles
|
|
gptkbp:choreography
|
gptkb:none
|
|
gptkbp:cinematography
|
gptkb:Alex_Smith
|
|
gptkbp:collaborations
|
various artists
with other musicians
with visual artists
|
|
gptkbp:contains_track
|
gptkb:The_Light
gptkb:The_Way_It_Is
gptkb:The_Ghosts
gptkb:The_Beat_Goes_On
gptkb:The_Last_Dance
gptkb:The_World_Outside
Repetition
The Truth Is Out There
The Sun Is Rising
The End Is Near
|
|
gptkbp:created_by
|
gptkb:The_1975
gptkb:The_Black_Ghosts
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:cultural_impact
|
discussed in music blogs
|
|
gptkbp:directed_by
|
gptkb:Samuel_Bradley
|
|
gptkbp:editor
|
gptkb:John_E._Smith
fast-paced cuts
|
|
gptkbp:events
|
posters and trailers
|
|
gptkbp:fan_base
|
global audience
|
|
gptkbp:features
|
cinematic visuals
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:followed_by
|
gptkb:Life_Cycles
The Black Ghosts Remixes
|
|
gptkbp:genre
|
gptkb:Pop
gptkb:electronic
metalcore
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The World Outside
|
|
gptkbp:influenced_artists
|
alternative rock
inspired upcoming musicians
|
|
gptkbp:influenced_by
|
previous works of The 1975
|
|
gptkbp:influences
|
cinema and art
|
|
gptkbp:inspiration
|
urban landscapes
|
|
gptkbp:is_featured_in
|
music festivals
|
|
gptkbp:label
|
gptkb:The_Black_Ghosts
gptkb:Fearless_Records
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
3:45
42:00
42:12
|
|
gptkbp:merchandise
|
available for fans
|
|
gptkbp:music_video
|
abstract storytelling
|
|
gptkbp:narrative_style
|
non-linear storytelling
|
|
gptkbp:narrative_theme
|
exploration of isolation
|
|
gptkbp:notable_performance
|
3 minutes 45 seconds
|
|
gptkbp:notable_tracks
|
gptkb:Searching_For_Glory
gptkb:Ain't_It_Fun
gptkb:The_World_Outside
Lost In The Dark
I Don't Want To Be Here Anymore
|
|
gptkbp:preceded_by
|
gptkb:The_Black_Ghosts
Violent Noise
|
|
gptkbp:premiered_on
|
gptkb:DJ
|
|
gptkbp:premise
|
a journey through different environments
|
|
gptkbp:produced_by
|
gptkb:Jamie_Squire
|
|
gptkbp:promotes
|
Instagram and Twitter
|
|
gptkbp:public_perception
|
enthusiastic responses
|
|
gptkbp:record_label
|
Dirty Hit
|
|
gptkbp:release_date
|
gptkb:2008
2022-10-14
2020-11-20
|
|
gptkbp:release_format
|
digital
|
|
gptkbp:release_year
|
gptkb:2022
|
|
gptkbp:released
|
gptkb:television_channel
digital-first approach
|
|
gptkbp:sound
|
layered and rich
|
|
gptkbp:soundtrack
|
original song
|
|
gptkbp:streaming_platforms
|
Spotify, Apple Music
|
|
gptkbp:style
|
artistic and abstract
|
|
gptkbp:symbolism
|
freedom and confinement
|
|
gptkbp:target_audience
|
young adults
|
|
gptkbp:thematic_element
|
identity and belonging
|
|
gptkbp:track_count
|
gptkb:10
|
|
gptkbp:viewpoint
|
over 1 million
|
|
gptkbp:visual_effects
|
used extensively
|
|
gptkbp:bfsParent
|
gptkb:The_Mad,_Bad_and_Dangerous_Tour
gptkb:Eyeshine
gptkb:The_Comsat_Angels
gptkb:C._Day-Lewis
|
|
gptkbp:bfsLayer
|
5
|