|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:aspect_ratio
|
2.35:1
|
|
gptkbp:awards
|
Best Director at Cannes
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:cinematography
|
gptkb:Jia_Zhangke
|
|
gptkbp:country
|
gptkb:China
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influenced filmmakers
discussed in film studies
screened at universities
featured in film festivals
analyzed in critiques
|
|
gptkbp:directed_by
|
gptkb:Jia_Zhangke
|
|
gptkbp:distributor
|
gptkb:Cineplex_Media
|
|
gptkbp:edited_by
|
gptkb:Jia_Zhangke
|
|
gptkbp:filming_location
|
gptkb:Beijing
|
|
gptkbp:filmography
|
symbolism
long takes
minimalist dialogue
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The World (2018)
|
|
gptkbp:influences
|
gptkb:European_art_cinema
gptkb:Chinese_cinema
social realism
documentary style
|
|
gptkbp:language
|
gptkb:Mandarin
|
|
gptkbp:music_by
|
gptkb:Yin_Chen
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Xstream_Pictures
|
|
gptkbp:release_date
|
gptkb:2018
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jia_Zhangke
|
|
gptkbp:starring
|
gptkb:Zhao_Tao
gptkb:Liang_Jingdong
gptkb:Jiang_Wu
gptkb:Chen_Kun
Wang Hongwei
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:High_School
gptkb:family
gptkb:technology
alienation
urbanization
modernity
|
|
gptkbp:bfsParent
|
gptkb:David_Shrigley
gptkb:Carroll_Dunham
|
|
gptkbp:bfsLayer
|
4
|