Statements (58)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Nara_Yoshitomo
|
| gptkbp:awards |
Best Director at the 2004 Venice Film Festival
|
| gptkbp:box_office |
$1.5 million
|
| gptkbp:character |
the protagonist is a young woman.
|
| gptkbp:cinematography |
gptkb:Jia_Zhangke
|
| gptkbp:country |
gptkb:China
|
| gptkbp:critical_reception |
generally positive.
|
| gptkbp:cultural_impact |
social issues.
urban life. migration. post-reform China. rapid economic change. |
| gptkbp:directed_by |
gptkb:Jia_Zhangke
|
| gptkbp:distributor |
gptkb:The_Criterion_Collection
|
| gptkbp:edited_by |
gptkb:Jia_Zhangke
|
| gptkbp:filming_location |
gptkb:Beijing
|
| gptkbp:follows |
the lives of workers in a theme park.
|
| gptkbp:genre |
gptkb:High_School
|
| https://www.w3.org/2000/01/rdf-schema#label |
The World (2004)
|
| gptkbp:influenced_by |
Italian neorealism.
Japanese cinema. French New Wave. American independent film. |
| gptkbp:influences |
Chinese cinema.
|
| gptkbp:language |
gptkb:Mandarin
|
| gptkbp:music_by |
gptkb:Yin_Chen-Wei
|
| gptkbp:narrative_style |
explores themes of globalization.
|
| gptkbp:notable_feature |
examines personal relationships.
highly regarded by critics. contributes to the discourse on contemporary China. captures the essence of modern China. depicts the lives of migrant workers. explores the impact of technology. features a theme park. part of Jia Zhangke's filmography. reflects on globalization. uses non-professional actors. |
| gptkbp:premiere |
gptkb:2004_Venice_Film_Festival
|
| gptkbp:rating |
7.0/10 on IM Db
|
| gptkbp:release_date |
gptkb:2004
|
| gptkbp:runtime |
139 minutes
|
| gptkbp:screenplay_by |
gptkb:Jia_Zhangke
|
| gptkbp:set_in |
gptkb:Beijing
|
| gptkbp:starring |
gptkb:Zhao_Tao
gptkb:Tao_Zhao gptkb:Liang_Jing gptkb:Chen_Jianbin Wang Hongwei |
| gptkbp:style |
poetic.
realism. documentary-like. |
| gptkbp:theme |
identity.
modernity. displacement. alienation. urbanization. |