|
gptkbp:instanceOf
|
film
|
|
gptkbp:basedOn
|
original_story_by_Ranald_MacDougall
|
|
gptkbp:boxOffice
|
$1 million
|
|
gptkbp:character
|
David
Sarah
Ralph
|
|
gptkbp:cinematographyBy
|
gptkb:Burnett_Guffey
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:criticalReception
|
mixed reviews
|
|
gptkbp:culturalImpact
|
influenced later films
|
|
gptkbp:director
|
gptkb:Ranald_MacDougall
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:editor
|
gptkb:W._Donn_Hayes
|
|
gptkbp:filmFestival
|
screened at various festivals
|
|
gptkbp:filmingLocation
|
gptkb:New_York_City
|
|
gptkbp:genre
|
science fiction
|
|
gptkbp:homeMediaRelease
|
DVD release in 2004
Blu-ray release in 2013
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The World, the Flesh and the Devil
|
|
gptkbp:influencedBy
|
nuclear anxiety
social issues of the 1950s
Cold_War_themes
|
|
gptkbp:influences
|
social commentary
race relations
post-apocalyptic genre
|
|
gptkbp:inspiration
|
inspired_by_the_novel_'The_Last_Man'_by_Mary_Shelley
|
|
gptkbp:language
|
English
|
|
gptkbp:notableFeature
|
character development
final confrontation
emotional climax
survival struggle
exploration of the city
love declaration
first film with an African American lead in a major role
|
|
gptkbp:plot
|
Survivor in a post-apocalyptic world.
|
|
gptkbp:productionCompany
|
gptkb:Columbia_Pictures
|
|
gptkbp:releaseDate
|
December 1959
|
|
gptkbp:releaseFormat
|
theatrical release
|
|
gptkbp:releaseYear
|
1959
|
|
gptkbp:remake
|
in development
|
|
gptkbp:runtime
|
95 minutes
|
|
gptkbp:screenplayBy
|
gptkb:Ranald_MacDougall
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:soundtrack
|
gptkb:George_Duning
|
|
gptkbp:starring
|
gptkb:Inger_Stevens
gptkb:Harry_Belafonte
gptkb:Mel_Ferrer
|
|
gptkbp:theme
|
isolation
survival
love triangle
|