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gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:stage_adaptation
gptkb:television_adaptation
gptkb:theater
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1980
gptkb:2000
1934
|
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gptkbp:author
|
gptkb:Honoré_de_Balzac
|
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gptkbp:character_development
|
complex characters
|
|
gptkbp:conflict
|
internal conflict
social conflict
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_significance
|
explores gender roles
reflects societal norms
examines class structure
depicts romantic relationships
analyzes personal identity
|
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gptkbp:genre
|
literary fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Woman of Thirty
|
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gptkbp:impact
|
influenced later writers
|
|
gptkbp:influence
|
gptkb:French_literature
|
|
gptkbp:inspiration
|
Balzac's own experiences
|
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gptkbp:language
|
gptkb:French
|
|
gptkbp:main_character
|
gptkb:Eugénie_Grandet
|
|
gptkbp:motif
|
gptkb:marriage
gptkb:wealth
gptkb:youth
age
desire
|
|
gptkbp:narrative_style
|
realism
|
|
gptkbp:part_of
|
gptkb:La_Comédie_Humaine
|
|
gptkbp:published_in
|
1832
|
|
gptkbp:setting
|
gptkb:France
|
|
gptkbp:style
|
descriptive
dialogue-driven
|
|
gptkbp:symbolism
|
the city
the woman
the family
|
|
gptkbp:theme
|
gptkb:feminism
gptkb:society
love
|
|
gptkbp:bfsParent
|
gptkb:Honoré_de_Balzac
|
|
gptkbp:bfsLayer
|
5
|