|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Yasunari_Kawabata
gptkb:Shinya_Tsukamoto
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:1964
gptkb:1974
gptkb:1980
gptkb:2004
gptkb:2015
gptkb:radio_station
gptkb:film
psychological thriller
|
|
gptkbp:adapted_into
|
gptkb:novel
|
|
gptkbp:art_style
|
striking
|
|
gptkbp:aspect_ratio
|
2.35:1
|
|
gptkbp:audience
|
general public
critics
|
|
gptkbp:author
|
gptkb:Kōbō_Abe
|
|
gptkbp:awards
|
gptkb:award
gptkb:Best_Actress
gptkb:Best_Director
gptkb:Best_Film
gptkb:Best_Screenplay
gptkb:none
gptkb:David_di_Donatello_Award
gptkb:Special_Jury_Prize
Golden Globe nomination
Best Director at Cannes
BAFTA nomination
|
|
gptkbp:based_on
|
gptkb:novel
novel by Kobo Abe
novel by Kōbō Abe
|
|
gptkbp:box_office
|
gptkb:unknown
gptkb:CEO
$1 million
successful
|
|
gptkbp:character
|
gptkb:The_Man
gptkb:The_Woman
gptkb:Niki_Jumpei
the Woman
|
|
gptkbp:character_development
|
gptkb:The_Woman
gptkb:launch_complex
gptkb:Niki_Jumpei
explores existential themes
explores human relationships
Niki Jumpei's transformation
the Woman's resilience
|
|
gptkbp:character_relationships
|
gptkb:Niki_Jumpei_and_the_Woman
man vs. nature
man vs. self
Niki Jumpei and nature
Niki Jumpei and the villagers
|
|
gptkbp:cinematography
|
gptkb:Takeshi_Kawamura
gptkb:Takahiro_Shimizu
close-up shots
high contrast imagery
symbolic use of sand
|
|
gptkbp:color
|
gptkb:color
black and white
|
|
gptkbp:composer
|
gptkb:Tōru_Takemitsu
|
|
gptkbp:conflict
|
man vs. nature
man vs. self
|
|
gptkbp:country
|
gptkb:Japan
|
|
gptkbp:critical_reception
|
acclaimed
positive
acclaimed by critics
|
|
gptkbp:cultural_impact
|
gptkb:significant
gptkb:mythological_figure
cult following
film studies
post-war Japan
existential themes
discussed in academic circles
influenced writers
studied in film schools
influenced filmmakers
adapted into various media
inspired discussions on survival
influenced artists
influential in Japanese cinema
featured in literary studies
inspired discussions on freedom
analyzed in philosophy courses
inspired discussions on human condition
|
|
gptkbp:cultural_significance
|
Japanese cinema
explores existential themes
|
|
gptkbp:depicts
|
human struggle
|
|
gptkbp:directed_by
|
gptkb:Hiroshi_Teshigahara
|
|
gptkbp:director
|
gptkb:Takahashi_Shinsuke
gptkb:Andrei_Tarkovsky
gptkb:Roy_Andersson
gptkb:Hiroshi_Teshigahara
gptkb:Béla_Tarr
|
|
gptkbp:distributor
|
gptkb:Toho
|
|
gptkbp:edited_by
|
gptkb:Kiyoshi_Saito
|
|
gptkbp:editor
|
gptkb:Kōji_Tanaka
gptkb:Yoshinori_Ota
|
|
gptkbp:explores
|
human condition
|
|
gptkbp:features
|
gptkb:dessert
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_score
|
gptkb:Tōru_Takemitsu
Tōru Takemitsu's compositions
|
|
gptkbp:film_series
|
gptkb:CEO
|
|
gptkbp:filming_location
|
gptkb:Japan
|
|
gptkbp:filmography
|
gptkb:town
gptkb:Kōsuke_Kaneko
gptkb:Japanese
gptkb:1964
gptkb:2014
gptkb:Monarch
gptkb:High_School
gptkb:film
English
black and white
minimalist
symbolism
minimalism
visual storytelling
long takes
147 minutes
minimalist style
natural sound
deeply analyzed
|
|
gptkbp:follows
|
an entomologist
|
|
gptkbp:genre
|
gptkb:High_School
psychological thriller
psychological fiction
|
|
gptkbp:has_sequel
|
gptkb:none
|
|
gptkbp:has_theme
|
gptkb:Transformation
gptkb:TV_series
gptkb:political_movement
gptkb:loss
gptkb:survival
love
freedom
hope
despair
confinement
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Woman in the Dunes
|
|
gptkbp:influence
|
gptkb:Artist
existential philosophy
|
|
gptkbp:influenced
|
gptkb:theatre
gptkb:Artist
gptkb:Author
gptkb:Film_Director
gptkb:literary_work
gptkb:film
subsequent filmmakers
art films
|
|
gptkbp:influenced_artists
|
gptkb:The_Diving_Bell_and_the_Butterfly_(film)
gptkb:The_Sandman_(film)
The Piano Teacher (film)
|
|
gptkbp:influenced_by
|
gptkb:theatre
gptkb:existentialism
gptkb:Artist
gptkb:mythological_figure
gptkb:absurdism
existential philosophy
surrealism
philosophical themes
post-war Japan
psychological drama
|
|
gptkbp:influences
|
gptkb:Kobo_Abe
Japanese cinema
surrealism
existential literature
art house films
|
|
gptkbp:inspiration
|
gptkb:Camus
gptkb:Kafka
gptkb:mythological_figure
psychological analysis
philosophical discussions
Kōbō Abe's experiences
|
|
gptkbp:inspired
|
gptkb:theatre
gptkb:films
gptkb:literary_work
gptkb:artwork
adaptations
|
|
gptkbp:is_criticized_for
|
positive reviews
|
|
gptkbp:is_explored_in
|
societal norms
personal identity
human existence
|
|
gptkbp:is_motivated_by
|
gptkb:survival
escape
|
|
gptkbp:language
|
gptkb:Japanese
minimal
|
|
gptkbp:legacy
|
adaptations
influence on literature
enduring
inspired adaptations
considered a classic
studied in film schools
influence on filmmakers
|
|
gptkbp:literary_devices
|
gptkb:mythological_figure
gptkb:literary_work
symbolism
imagery
|
|
gptkbp:main_character
|
gptkb:hospital
gptkb:Niki_Jumpei
the Woman
|
|
gptkbp:motif
|
gptkb:dessert
gptkb:tank
gptkb:item
darkness
escape
|
|
gptkbp:music
|
gptkb:Yoshihiro_Hanno
|
|
gptkbp:music_by
|
gptkb:Toru_Takemitsu
gptkb:Tōru_Takemitsu
|
|
gptkbp:narrative_style
|
third-person
surrealism
non-linear
|
|
gptkbp:notable_appearance
|
the struggle for survival
final scene
the ending scene
the relationship between characters
the water scene
the sand pit
dune house scene
sand digging scene
|
|
gptkbp:notable_for
|
philosophical themes
visual storytelling
|
|
gptkbp:notable_work
|
gptkb:Kōbō_Abe
|
|
gptkbp:official_language
|
gptkb:Japanese
|
|
gptkbp:performance
|
minimalist
absurdist
|
|
gptkbp:plot
|
struggle for survival
relationship dynamics
a man trapped in a sand pit
A man is trapped in a sand dune with a woman.
|
|
gptkbp:plot_summary
|
A man is trapped in a sand dune with a woman.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:premiered_on
|
gptkb:film_festival
gptkb:1962
|
|
gptkbp:produced_by
|
gptkb:Hiroshi_Teshigahara
gptkb:Kōji_Takada
|
|
gptkbp:producer
|
gptkb:Katsuichi_Nakayama
|
|
gptkbp:production_company
|
gptkb:Kino_Films
gptkb:Toho_Company
|
|
gptkbp:published_by
|
gptkb:1962
|
|
gptkbp:published_year
|
gptkb:1962
|
|
gptkbp:rating
|
7.5/10
|
|
gptkbp:release_date
|
1964-11-01
2019-06-07
November 1964
|
|
gptkbp:release_region
|
gptkb:Japan
|
|
gptkbp:release_year
|
gptkb:1964
gptkb:2014
gptkb:2019
|
|
gptkbp:released
|
gptkb:1964
|
|
gptkbp:remake
|
The Woman in the Dunes (2019)
|
|
gptkbp:role
|
gptkb:fictional_character
gptkb:superhero
|
|
gptkbp:runtime
|
120 minutes
147 minutes
|
|
gptkbp:screenings
|
international festivals
|
|
gptkbp:screenplay_by
|
gptkb:Takahashi_Shinsuke
gptkb:Kōbō_Abe
gptkb:Kobo_Abe
|
|
gptkbp:set_in
|
gptkb:dessert
|
|
gptkbp:setting
|
gptkb:dessert
a remote sand dune village
|
|
gptkbp:significance
|
existential literature
post-war Japanese literature
surrealist literature
|
|
gptkbp:sound
|
gptkb:Dolby_Digital
|
|
gptkbp:starring
|
gptkb:Kyoko_Kishida
gptkb:Eiji_Okada
|
|
gptkbp:symbolism
|
gptkb:dessert
gptkb:cave
freedom
futility
trapped existence
trapped
|
|
gptkbp:theme
|
gptkb:existentialism
gptkb:survival
isolation
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:political_movement
gptkb:existentialism
gptkb:humanity
gptkb:survival
gptkb:Saint
love
freedom
nature
hope
isolation
human condition
futility
despair
nature vs. man
|
|
gptkbp:translated_into
|
gptkb:E._Dale_Saunders
gptkb:French
gptkb:Native_American_tribe
English
|
|
gptkbp:visitors
|
thought-provoking
|
|
gptkbp:written_by
|
gptkb:Kōbō_Abe
|