gptkbp:instance_of
|
gptkb:film_adaptation
gptkb:novel
gptkb:play
gptkb:film
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:radio_station
gptkb:theater
gptkb:film
psychological thriller
|
gptkbp:adaptation_year
|
gptkb:1964
gptkb:1974
gptkb:1980
gptkb:2004
gptkb:2015
|
gptkbp:adaptations
|
gptkb:radio_station
gptkb:television_adaptation
gptkb:film
|
gptkbp:adapted_into
|
gptkb:novel
|
gptkbp:art_style
|
striking
|
gptkbp:aspect_ratio
|
2.35:1
|
gptkbp:audience
|
general public
critics
|
gptkbp:author
|
gptkb:Kōbō_Abe
|
gptkbp:award
|
gptkb:Best_Director
gptkb:Special_Jury_Prize
|
gptkbp:awards
|
gptkb:none
Best Director at Cannes
|
gptkbp:based_on
|
gptkb:novel
novel by Kobo Abe
novel by Kōbō Abe
|
gptkbp:box_office
|
gptkb:unknown
gptkb:N/_A
$1 million
successful
|
gptkbp:character
|
gptkb:The_Man
gptkb:The_Woman
gptkb:Niki_Jumpei
the Woman
|
gptkbp:character_development
|
gptkb:The_Woman
gptkb:complex
gptkb:Niki_Jumpei
explores existential themes
explores human relationships
Niki Jumpei's transformation
the Woman's resilience
|
gptkbp:character_motivation
|
gptkb:survival
escape
|
gptkbp:character_relationships
|
gptkb:Niki_Jumpei_and_the_Woman
man vs. nature
man vs. self
Niki Jumpei and nature
Niki Jumpei and the villagers
|
gptkbp:cinematography
|
gptkb:Takeshi_Kawamura
gptkb:Takahiro_Shimizu
close-up shots
high contrast imagery
symbolic use of sand
|
gptkbp:cinematography_by
|
gptkb:Takeshi_Kawamura
|
gptkbp:color
|
gptkb:Color
black and white
|
gptkbp:conflict
|
man vs. nature
man vs. self
|
gptkbp:country
|
gptkb:Japan
|
gptkbp:critical_reception
|
acclaimed
positive
acclaimed by critics
|
gptkbp:criticism
|
positive reviews
|
gptkbp:cultural_aspect
|
post-war Japan
|
gptkbp:cultural_impact
|
gptkb:significant
gptkb:Japanese_culture
cult following
film studies
existential themes
discussed in academic circles
influenced writers
studied in film schools
influenced filmmakers
adapted into various media
inspired discussions on survival
influenced artists
influential in Japanese cinema
featured in literary studies
inspired discussions on freedom
analyzed in philosophy courses
inspired discussions on human condition
|
gptkbp:cultural_significance
|
Japanese cinema
explores existential themes
|
gptkbp:depicts
|
human struggle
|
gptkbp:directed_by
|
gptkb:Hiroshi_Teshigahara
|
gptkbp:director
|
gptkb:Takahashi_Shinsuke
gptkb:Andrei_Tarkovsky
gptkb:Roy_Andersson
gptkb:Hiroshi_Teshigahara
gptkb:Béla_Tarr
|
gptkbp:distributor
|
gptkb:Toho
|
gptkbp:edited_by
|
gptkb:Kiyoshi_Saito
|
gptkbp:editing
|
gptkb:Kōji_Tanaka
|
gptkbp:editor
|
gptkb:Yoshinori_Ota
|
gptkbp:explores
|
human condition
|
gptkbp:features
|
gptkb:sand_dunes
|
gptkbp:film
|
gptkb:Japanese
English
|
gptkbp:film_awards
|
gptkb:Best_Actress
gptkb:Best_Director
|
gptkbp:film_editing
|
gptkb:Kōsuke_Kaneko
gptkb:1964
gptkb:2014
gptkb:drama
gptkb:thriller
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
gptkbp:film_length
|
147 minutes
|
gptkbp:film_score
|
gptkb:Tōru_Takemitsu
Tōru Takemitsu's compositions
|
gptkbp:film_series
|
gptkb:N/_A
|
gptkbp:film_technique
|
gptkb:art_gallery
gptkb:Surrealism
black and white
minimalist
symbolism
minimalism
visual storytelling
long takes
minimalist style
natural sound
|
gptkbp:filming_location
|
gptkb:Japan
|
gptkbp:filmography
|
deeply analyzed
|
gptkbp:follows
|
an entomologist
|
gptkbp:genre
|
gptkb:drama
psychological thriller
psychological fiction
|
gptkbp:has_prequel
|
gptkb:none
|
gptkbp:has_sequel
|
gptkb:none
|
gptkbp:has_theme
|
gptkb:loss
gptkb:survival
gptkb:identity
gptkb:transformation
gptkb:society
love
freedom
hope
despair
confinement
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Woman in the Dunes
|
gptkbp:influence
|
gptkb:Japanese_literature
existential philosophy
|
gptkbp:influenced
|
gptkb:artists
gptkb:theater
gptkb:literature
gptkb:filmmakers
gptkb:Writer
gptkb:film
subsequent filmmakers
art films
|
gptkbp:influenced_artists
|
gptkb:The_Diving_Bell_and_the_Butterfly_(film)
gptkb:The_Sandman_(film)
The Piano Teacher (film)
|
gptkbp:influenced_by
|
gptkb:existentialism
gptkb:Japanese_literature
gptkb:theater
gptkb:absurdism
gptkb:Japanese_art
gptkb:Japanese_culture
existential philosophy
surrealism
philosophical themes
post-war Japan
psychological drama
|
gptkbp:influences
|
gptkb:Kobo_Abe
Japanese cinema
surrealism
existential literature
art house films
|
gptkbp:inspiration
|
gptkb:Japanese_folklore
gptkb:Camus
gptkb:Kafka
psychological analysis
philosophical discussions
Kōbō Abe's experiences
|
gptkbp:inspired
|
gptkb:films
gptkb:literature
gptkb:artworks
gptkb:theater_productions
adaptations
|
gptkbp:is_explored_in
|
societal norms
personal identity
human existence
|
gptkbp:language
|
gptkb:Japanese
|
gptkbp:language_spoken
|
minimal
|
gptkbp:legacy
|
adaptations
influence on literature
enduring
inspired adaptations
considered a classic
studied in film schools
influence on filmmakers
|
gptkbp:literary_devices
|
gptkb:metaphor
gptkb:allegory
symbolism
imagery
|
gptkbp:literary_significance
|
existential literature
post-war Japanese literature
surrealist literature
|
gptkbp:main_character
|
gptkb:Niki_Jumpei
the Woman
|
gptkbp:motif
|
gptkb:sand_dunes
gptkb:light
gptkb:water
darkness
escape
|
gptkbp:music
|
gptkb:Yoshihiro_Hanno
|
gptkbp:music_by
|
gptkb:Toru_Takemitsu
gptkb:Tōru_Takemitsu
|
gptkbp:music_composer
|
gptkb:Tōru_Takemitsu
|
gptkbp:narrative
|
third-person
|
gptkbp:narrative_style
|
surrealism
non-linear
|
gptkbp:notable_awards
|
gptkb:David_di_Donatello_Award
gptkb:Academy_Award_nomination
Golden Globe nomination
BAFTA nomination
|
gptkbp:notable_for
|
philosophical themes
visual storytelling
|
gptkbp:notable_scene
|
the struggle for survival
final scene
the ending scene
the relationship between characters
the water scene
the sand pit
dune house scene
sand digging scene
|
gptkbp:notable_themes
|
gptkb:humanity
gptkb:survival
gptkb:identity
gptkb:sacrifice
gptkb:society
love
freedom
nature
hope
futility
despair
|
gptkbp:notable_work
|
gptkb:Kōbō_Abe
|
gptkbp:original_language
|
gptkb:Japanese
|
gptkbp:performance_style
|
minimalist
absurdist
|
gptkbp:plot
|
struggle for survival
relationship dynamics
a man trapped in a sand pit
A man is trapped in a sand dune with a woman.
|
gptkbp:plot_summary
|
A man is trapped in a sand dune with a woman.
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
gptkbp:premiered_on
|
gptkb:1962
gptkb:Cannes_Film_Festival
|
gptkbp:produced_by
|
gptkb:Hiroshi_Teshigahara
gptkb:Kōji_Takada
|
gptkbp:producer
|
gptkb:Katsuichi_Nakayama
|
gptkbp:production_company
|
gptkb:Kino_Films
gptkb:Toho_Company
|
gptkbp:protagonist
|
gptkb:anarchism
|
gptkbp:published
|
gptkb:1962
|
gptkbp:published_in
|
gptkb:1962
|
gptkbp:published_year
|
gptkb:1962
|
gptkbp:rating
|
7.5/10
|
gptkbp:release_country
|
gptkb:Japan
|
gptkbp:release_date
|
1964-11-01
2019-06-07
November 1964
|
gptkbp:release_year
|
gptkb:1964
gptkb:2014
gptkb:2019
|
gptkbp:released
|
gptkb:1964
|
gptkbp:remake
|
The Woman in the Dunes (2019)
|
gptkbp:role
|
gptkb:protagonist
gptkb:antagonist
|
gptkbp:runtime
|
120 minutes
147 minutes
|
gptkbp:screenings
|
international festivals
|
gptkbp:screenplay
|
gptkb:Takahashi_Shinsuke
gptkb:Kōbō_Abe
|
gptkbp:screenplay_by
|
gptkb:Kōbō_Abe
gptkb:Kobo_Abe
|
gptkbp:set_in
|
gptkb:desert
|
gptkbp:setting
|
gptkb:sand_dunes
gptkb:desert
a remote sand dune village
|
gptkbp:sound
|
gptkb:Dolby_Digital
|
gptkbp:starring
|
gptkb:Kyoko_Kishida
gptkb:Eiji_Okada
|
gptkbp:symbolism
|
gptkb:sand_dunes
gptkb:traps
freedom
futility
trapped existence
trapped
|
gptkbp:theme
|
gptkb:existentialism
gptkb:survival
isolation
|
gptkbp:themes
|
gptkb:existentialism
gptkb:survival
isolation
human condition
nature vs. man
|
gptkbp:translated_into
|
gptkb:E._Dale_Saunders
gptkb:French
gptkb:German
English
|
gptkbp:visitors
|
thought-provoking
|
gptkbp:won_award
|
gptkb:Best_Director
gptkb:Best_Film
gptkb:Best_Screenplay
|
gptkbp:written_by
|
gptkb:Kōbō_Abe
|
gptkbp:bfsParent
|
gptkb:Yasunari_Kawabata
|
gptkbp:bfsLayer
|
4
|