Statements (312)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical
gptkb:musical_adaptation gptkb:novel gptkb:play |
gptkbp:adaptation |
gptkb:ballet
gptkb:The_Woman_in_White_(1912_film) gptkb:The_Woman_in_White_(1948_film) gptkb:The_Woman_in_White_(1982_film) gptkb:The_Woman_in_White_(1997_film) gptkb:The_Woman_in_White_(2004_miniseries) gptkb:The_Woman_in_White_(2018_miniseries) gptkb:television_series gptkb:The_Woman_in_White_(musical) gptkb:radio_station gptkb:graphic_novel gptkb:video_game gptkb:audiobook gptkb:film gptkb:stage_play 2004 London production The Woman in White (novel) 2005 Broadway production |
gptkbp:adaptation_year |
gptkb:1997
gptkb:2012 gptkb:2016 gptkb:2020 1948 |
gptkbp:adaptations |
gptkb:film_adaptation
gptkb:radio_station gptkb:television_adaptation |
gptkbp:adapted_into |
gptkb:musical
gptkb:television_series gptkb:film |
gptkbp:antagonist |
gptkb:Sir_Percival_Glyde
|
gptkbp:author |
gptkb:Wilkie_Collins
|
gptkbp:awards |
gptkb:Olivier_Award_for_Best_New_Musical
Olivier Award nominations |
gptkbp:based_on |
gptkb:novel
novel by Wilkie Collins |
gptkbp:box_office |
moderate success
|
gptkbp:cast |
gptkb:Michael_Ball
gptkb:Simon_Callow gptkb:Angela_Christian gptkb:Maria_Friedman gptkb:Jenna_Russell |
gptkbp:character |
gptkb:Anne_Catherick
gptkb:Mr._Catherick gptkb:Count_Fosco gptkb:Sir_Percival_Glyde gptkb:Mrs._Catherick gptkb:Mr._Fairlie Dr. Severn Laura's father Frederick Fairlie Marian's father Mr. Glyde's acquaintance Mr. Glyde's associate Mr. Glyde's aunt Mr. Glyde's childhood acquaintance Mr. Glyde's childhood associate Mr. Glyde's childhood colleague Mr. Glyde's childhood friend Mr. Glyde's childhood neighbor Mr. Glyde's childhood partner Mr. Glyde's childhood rival Mr. Glyde's colleague Mr. Glyde's cousin Mr. Glyde's doctor Mr. Glyde's father Mr. Glyde's friend Mr. Glyde's friend from childhood Mr. Glyde's lawyer Mr. Glyde's mother Mr. Glyde's neighbor Mr. Glyde's partner Mr. Glyde's rival Mr. Glyde's servant Mr. Glyde's uncle Mr. Hartright's mother Mr. Hartright's sister Mrs. Catherick's husband Mrs. Hartright |
gptkbp:character_relationships |
Count Fosco and Sir Percival Glyde
Marian Halcombe and Laura Fairlie Walter Hartright and Laura Fairlie |
gptkbp:choreography |
gptkb:Marlies_Yearby
|
gptkbp:composer |
gptkb:Lloyd_Webber
|
gptkbp:critical_reception |
mixed reviews
widely acclaimed well-received |
gptkbp:cultural_impact |
inspired art
influenced horror genre influenced Victorian literature inspired adaptations influenced later literature inspired merchandise inspired adaptations in various media inspired social commentary inspired fashion inspired academic studies inspired theatrical performances inspired other authors inspired parodies inspired graphic novels inspired literary criticism inspired feminist readings inspired operas adapted into various media influenced other authors inspired musicals inspired adaptations in various languages adaptations in various media inspired psychological analysis inspired film studies influenced mystery genre inspired radio dramas inspired stage plays inspired historical analysis inspired modern retellings influenced other musicals. |
gptkbp:directed_by |
gptkb:Trevor_Nunn
|
gptkbp:famous_quote |
' The Woman in White'.
|
gptkbp:first_edition |
serialized in 1859
|
gptkbp:first_performance |
gptkb:Palace_Theatre,_London
1860 |
gptkbp:first_published |
gptkb:All_the_Year_Round
gptkb:Charlotte_Jones Charlotte St. John |
gptkbp:first_released |
gptkb:West_End
|
gptkbp:first_serialized_in |
gptkb:All_the_Year_Round
|
gptkbp:genre |
gptkb:musical_theatre
gptkb:mystery gothic fiction |
https://www.w3.org/2000/01/rdf-schema#label |
The Woman in White
|
gptkbp:influence |
gptkb:horror_genre
gptkb:literature gptkb:detective_fiction gptkb:popular_culture gothic literature modern mystery novels |
gptkbp:influenced |
gptkb:Agatha_Christie
gptkb:Arthur_Conan_Doyle modern thrillers |
gptkbp:influenced_by |
gptkb:Gothic_literature
operatic traditions musical theatre conventions |
gptkbp:inspiration |
gptkb:Wilkie_Collins'_novel
real-life events the Victorian era the legal system Wilkie Collins' experiences the treatment of women |
gptkbp:inspired |
gptkb:The_Woman_in_White_(musical)
gptkb:films gptkb:literary_work television adaptations |
gptkbp:inspired_by |
real-life events
|
gptkbp:is_acclaimed_for |
considered a classic
|
gptkbp:is_portrayed_as |
gptkb:Cynthia_Stevenson
|
gptkbp:language |
English
|
gptkbp:lyricist |
gptkb:David_Zippel
|
gptkbp:main_character |
gptkb:Marian_Halcombe
gptkb:Walter_Hartright gptkb:Laura_Fairlie |
gptkbp:music_style |
dramatic
romantic suspenseful |
gptkbp:narrative |
multiple viewpoints
|
gptkbp:narrative_style |
multiple perspectives
symbolism irony suspense epistolary foreshadowing cliffhangers |
gptkbp:notable_character |
gptkb:Marian_Halcombe
gptkb:Count_Fosco gptkb:Walter_Hartright gptkb:Laura_Fairlie gptkb:Sir_Percival_Glyde gptkb:Mrs._Catherick gptkb:Mr._Fairlie |
gptkbp:notable_characters |
gptkb:Marian_Halcombe
gptkb:Count_Fosco gptkb:Walter_Hartright gptkb:Laura_Fairlie gptkb:Sir_Percival_Glyde |
gptkbp:notable_production |
Australian production
Toronto production |
gptkbp:notable_quote |
“ I will not be a prisoner.”
“ The truth will out.” “ I am not what I seem.” “ Love is stronger than fear.” “ The woman in white is a mystery.” “ There is no such thing as a perfect crime.” “ The truth is not always what it appears to be.” “ The story of my life is a story of a woman in white.” “ The story is a mystery, and the mystery is a story.” “ I have a right to know the truth.” |
gptkbp:notable_song |
gptkb:The_Woman_in_White
gptkb:The_Phantom_of_the_Opera The Last Man in My Life All for Laura I Hope You Like It Here |
gptkbp:notable_themes |
gptkb:betrayal
gptkb:justice gptkb:loyalty gptkb:moral_ambiguity gptkb:survival gptkb:mystery gptkb:social_class gptkb:fate gptkb:sacrifice gptkb:family gptkb:feminism love freedom mental health the nature of reality redemption surveillance the importance of family the role of women in society truth power dynamics the struggle for power the supernatural identity crisis secrets deception and manipulation the impact of trauma the duality of human nature the search for identity the complexity of love the search for belonging betrayal of trust the grotesque the uncanny the nature of evil the quest for truth the quest for justice the quest for freedom the struggle against oppression the fragility of sanity the search for truth and justice the impact of societal norms the uncanny valley the consequences of secrecy |
gptkbp:number_of_acts |
2
|
gptkbp:number_of_books |
gptkb:40
|
gptkbp:original_language |
English
|
gptkbp:page_count |
gptkb:600
approximately 600 |
gptkbp:plot |
romantic entanglements
struggle for justice deception and betrayal secrets of the past mystery surrounding a woman in white |
gptkbp:plot_element |
gptkb:betrayal
gptkb:mystery gptkb:deception gptkb:exile gptkb:mask inheritance moral dilemmas love story secrets madness and sanity mystery of identity |
gptkbp:premiered_on |
gptkb:2004
gptkb:London September 28, 2004 |
gptkbp:produced_by |
gptkb:Really_Useful_Group
gptkb:The_Really_Useful_Group |
gptkbp:published |
1859
serialized novel |
gptkbp:published_by |
gptkb:Charles_Dickens
|
gptkbp:publisher |
gptkb:Chatto_&_Windus
gptkb:Charles_Scribner's_Sons |
gptkbp:revival |
international productions
UK tour in 2011 West End revival in 2010 |
gptkbp:sequel |
gptkb:The_Law_and_the_Lady
|
gptkbp:set_in |
gptkb:Victorian_England
|
gptkbp:setting |
gptkb:England
gptkb:Victorian_England |
gptkbp:thematic_element |
identity and madness
|
gptkbp:theme |
gptkb:social_class
gptkb:deception gptkb:identity gptkb:feminism madness class disparity |
gptkbp:themes |
gptkb:betrayal
gptkb:social_class gptkb:deception gptkb:identity love madness gender roles |
gptkbp:written_by |
gptkb:Wilkie_Collins
|
gptkbp:bfsParent |
gptkb:Mark_Gatiss
gptkb:Richard_Burton gptkb:Michael_Ball gptkb:The_Old_Vic gptkb:Beauford_Delaney gptkb:Dame_Helen_Mirren gptkb:Amedeo_Modigliani gptkb:Theatre_Royal,_Bath gptkb:the_Gielgud_Theatre gptkb:Lloyd_Webber |
gptkbp:bfsLayer |
4
|