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gptkbp:instance_of
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gptkb:short_story
|
|
gptkbp:adaptations
|
none known
|
|
gptkbp:author
|
gptkb:D._H._Lawrence
|
|
gptkbp:character_development
|
the woman undergoes transformation
|
|
gptkbp:climax
|
the ride away
|
|
gptkbp:collection
|
gptkb:The_Woman_Who_Rode_Away_and_Other_Stories
|
|
gptkbp:conflict
|
internal conflict
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:genre
|
gptkb:Fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Woman Who Rode Away
|
|
gptkbp:influences
|
gptkb:modernism
gptkb:Romanticism
|
|
gptkbp:inspiration
|
D. H. Lawrence's experiences in Mexico
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_movement
|
gptkb:Modernism
|
|
gptkbp:main_character
|
the woman
|
|
gptkbp:motif
|
freedom
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:page_count
|
approximately 10
|
|
gptkbp:plot
|
a woman's journey to find herself
|
|
gptkbp:protagonist
|
the woman
|
|
gptkbp:published_by
|
gptkb:The_Dial
The English Review
|
|
gptkbp:published_in
|
1928
|
|
gptkbp:related_works
|
gptkb:Women_in_Love
|
|
gptkbp:resolution
|
ambiguous ending
|
|
gptkbp:setting
|
gptkb:Mexico
|
|
gptkbp:symbolism
|
the horse
|
|
gptkbp:theme
|
escape
|
|
gptkbp:viewpoint
|
omniscient
|
|
gptkbp:bfsParent
|
gptkb:D._H._Lawrence
|
|
gptkbp:bfsLayer
|
4
|