|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Manila_Film_Festival
gptkb:Carmen_Guerrero_Nakpil
gptkb:Filipino_Cinema
|
|
gptkbp:audience
|
not rated
|
|
gptkbp:awards
|
gptkb:Golden_Lion
|
|
gptkbp:based_on
|
short story by Leo Tolstoy
|
|
gptkbp:box_office
|
limited release
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:character_development
|
gptkb:launch_complex
emotional
psychological
transformative
|
|
gptkbp:character_relationships
|
gptkb:launch_complex
external
internal
|
|
gptkbp:cinematography
|
gptkb:Lav_Diaz
|
|
gptkbp:country
|
gptkb:Philippines
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
film festivals
international recognition
Filipino cinema
|
|
gptkbp:cultural_significance
|
gptkb:Filipino_identity
post-colonialism
|
|
gptkbp:directed_by
|
gptkb:Lav_Diaz
|
|
gptkbp:distributor
|
gptkb:Cinema_One_Originals
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filming_location
|
gptkb:Philippines
|
|
gptkbp:filmography
|
gptkb:Lav_Diaz
228 minutes
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Woman Who Left
|
|
gptkbp:influenced_by
|
gptkb:historical_event
social issues
personal experiences
Filipino cinema
neorealism
Tolstoy's works
|
|
gptkbp:is_motivated_by
|
gptkb:justice
gptkb:survival
|
|
gptkbp:language
|
gptkb:Politician
|
|
gptkbp:main_character
|
Horacia
|
|
gptkbp:music_by
|
gptkb:Lav_Diaz
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:premiered_on
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Lav_Diaz
|
|
gptkbp:production_company
|
Sine Olivia Pilipinas
|
|
gptkbp:released_in
|
gptkb:2016
|
|
gptkbp:runtime
|
228 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Lav_Diaz
|
|
gptkbp:set_in
|
gptkb:Philippines
|
|
gptkbp:style
|
minimalist
poetic
artistic
|
|
gptkbp:symbolism
|
gptkb:loss
gptkb:Saint
freedom
hope
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:political_movement
gptkb:revenge
forgiveness
|