|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:audience
|
cult following
high tension
left a lasting impression.
|
|
gptkbp:based_on
|
gptkb:The_Man_Who_Knew_Too_Much
|
|
gptkbp:box_office
|
$3.5 million
|
|
gptkbp:character
|
gptkb:Dr._Ben_Mc_Kenna
gptkb:Jo_Mc_Kenna
the antagonist
the supporting cast
|
|
gptkbp:character_arc
|
transformation of the protagonist
|
|
gptkbp:character_development
|
emotional depth
strong female lead
|
|
gptkbp:character_motivation
|
protagonist's quest for truth
|
|
gptkbp:character_relationships
|
complex dynamics
|
|
gptkbp:cinematography
|
gptkb:Robert_Burks
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
examined for its themes
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
considered a classic thriller
|
|
gptkbp:cultural_references
|
referenced in other media
|
|
gptkbp:director
|
gptkb:Hitchcock
|
|
gptkbp:editing
|
gptkb:George_Tomasini
|
|
gptkbp:film_awards
|
nominated for Academy Awards
|
|
gptkbp:film_editing
|
tight pacing
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
acclaimed
|
|
gptkbp:film_technique
|
use of suspense
use of suspenseful music
|
|
gptkbp:filmography
|
studied in film schools
|
|
gptkbp:genre
|
gptkb:thriller
|
|
gptkbp:historical_context
|
Cold War era themes
|
|
gptkbp:hitchcock_style
|
suspenseful storytelling
|
|
gptkbp:home_media_release
|
DVD and Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Woman Who Knew Too Much
|
|
gptkbp:influenced
|
subsequent thriller films
modern thrillers
directors and filmmakers
|
|
gptkbp:influenced_by
|
film noir
Alfred Hitchcock's earlier works
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influential in the thriller genre
|
|
gptkbp:music_by
|
gptkb:Bernard_Herrmann
|
|
gptkbp:narrative
|
non-linear elements
|
|
gptkbp:notable_scene
|
The concert scene
|
|
gptkbp:plot
|
A woman becomes embroiled in an international conspiracy.
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:release_date
|
June 1956
|
|
gptkbp:release_year
|
gptkb:1956
|
|
gptkbp:remake
|
gptkb:The_Man_Who_Knew_Too_Much_(1956)
gptkb:The_Man_Who_Knew_Too_Much_(1934)
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:John_Michael_Hayes
|
|
gptkbp:setting
|
gptkb:London
gptkb:Morocco
|
|
gptkbp:soundtrack
|
memorable themes
|
|
gptkbp:starring
|
gptkb:Doris_Day
gptkb:James_Garner
|
|
gptkbp:symbolism
|
the concert as a pivotal moment
|
|
gptkbp:themes
|
suspense and danger
|
|
gptkbp:bfsParent
|
gptkb:Faith_Ringgold
gptkb:The_Alfred_Hitchcock_Presents:_The_12th_Season
gptkb:The_Alfred_Hitchcock_Presents:_The_5th_Season
|
|
gptkbp:bfsLayer
|
4
|