|
gptkbp:instanceOf
|
film
|
|
gptkbp:awards
|
nominated_for_Academy_Awards
|
|
gptkbp:basedOn
|
play_by_Charles_Bennett
|
|
gptkbp:boxOffice
|
$3 million
|
|
gptkbp:character
|
gptkb:Dr._Ben_McKenna
gptkb:Louis_Bernard
the antagonist
Joan Harrison
|
|
gptkbp:characterDevelopment
|
Doris_Day's_character_evolves_throughout_the_film.
|
|
gptkbp:cinematographyBy
|
gptkb:Robert_Burks
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:criticalReception
|
mixed reviews
|
|
gptkbp:culturalImpact
|
influenced the thriller genre
|
|
gptkbp:culturalSignificance
|
analyzed in film studies.
|
|
gptkbp:director
|
gptkb:Hitchcock
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
|
gptkbp:editor
|
George Tomasini
|
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:filmingLocation
|
gptkb:London
gptkb:Los_Angeles
gptkb:Morocco
|
|
gptkbp:genre
|
thriller
|
|
gptkbp:homeMediaRelease
|
DVD and Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Woman Who Knew Too Much
|
|
gptkbp:influenced
|
future filmmakers
the spy thriller genre
|
|
gptkbp:influencedBy
|
film noir
Alfred_Hitchcock's_earlier_works
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic thriller
|
|
gptkbp:musicBy
|
gptkb:Bernard_Herrmann
|
|
gptkbp:notableQuote
|
"I know too much!"
|
|
gptkbp:plot
|
A woman witnesses a murder and becomes embroiled in a conspiracy.
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:productionCompany
|
gptkb:Paramount_Pictures
|
|
gptkbp:releaseDate
|
June 1956
|
|
gptkbp:releaseYear
|
1956
|
|
gptkbp:remake
|
gptkb:The_Man_Who_Knew_Too_Much_(1956)
gptkb:The_Man_Who_Knew_Too_Much_(1934)
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplayBy
|
gptkb:I.A._Richards
|
|
gptkbp:soundtrack
|
released on vinyl
|
|
gptkbp:starring
|
gptkb:Doris_Day
gptkb:James_Garner
|
|
gptkbp:style
|
Hitchcock's_signature_suspenseful_style
|
|
gptkbp:theme
|
fear and paranoia
|