|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$180,000
|
|
gptkbp:character
|
gptkb:Sir_John_Talbot
gptkb:Larry_Talbot
gptkb:Gwen_Conliffe
Maleva
|
|
gptkbp:cinematography
|
gptkb:Joseph_A._Valentine
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult classic
|
|
gptkbp:director
|
gptkb:George_Waggner
|
|
gptkbp:editing
|
Edward Curtiss
|
|
gptkbp:film_editing
|
Edward Curtiss
|
|
gptkbp:film_score
|
gptkb:Hans_J._Salter
|
|
gptkbp:genre
|
gptkb:horror
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Wolfman (1941)
|
|
gptkbp:influenced
|
werewolf films
|
|
gptkbp:influenced_by
|
gptkb:The_Mummy_(1932)
gptkb:The_Wolf_Man_(1935)
gptkb:Frankenstein_(1931)
gptkb:Dracula_(1931)
gptkb:The_Hunchback_of_Notre_Dame_(1939)
Werewolf folklore
|
|
gptkbp:inspiration
|
gptkb:The_Wolfman_(2010)
|
|
gptkbp:is_set_in
|
gptkb:Charles_D._Hall
|
|
gptkbp:language
|
English
|
|
gptkbp:makeup_artist
|
gptkb:Jack_Pierce
|
|
gptkbp:music
|
gptkb:Hans_J._Salter
|
|
gptkbp:notable_quote
|
Even a man who is pure of heart...
|
|
gptkbp:part_of
|
gptkb:Universal_Monsters
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:production_company
|
gptkb:Universal_Pictures
|
|
gptkbp:release_date
|
1941
|
|
gptkbp:remake
|
gptkb:The_Wolf_Man_(1935)
|
|
gptkbp:runtime
|
70 minutes
|
|
gptkbp:screenplay
|
gptkb:Curt_Siodmak
|
|
gptkbp:sequel
|
gptkb:Frankenstein_Meets_the_Wolf_Man
|
|
gptkbp:special_effects
|
makeup effects
|
|
gptkbp:starring
|
gptkb:Claudia_Bryar
gptkb:Bela_Lugosi
gptkb:Lon_Chaney_Jr.
|
|
gptkbp:bfsParent
|
gptkb:The_Wolfman_(2020)
|
|
gptkbp:bfsLayer
|
5
|