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gptkbp:instance_of
|
gptkb:television_series
|
|
gptkbp:bfsLayer
|
5
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|
gptkbp:bfsParent
|
gptkb:Detective_Bunk_Moreland
|
|
gptkbp:aired_on
|
gptkb:musical_group
|
|
gptkbp:awards
|
Primetime Emmy Award nomination
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|
gptkbp:character_development
|
Barksdale's empire
Mc Nulty's personal struggles
Omar's moral code
Stringer Bell's rise
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|
gptkbp:cinematography
|
Michael Caracciolo
|
|
gptkbp:composer
|
gptkb:Nathan_Larson
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:David_Simon
|
|
gptkbp:critical_reception
|
Highly acclaimed
|
|
gptkbp:editor
|
Sabrina Plisco
|
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gptkbp:features
|
gptkb:Stringer_Bell
gptkb:Omar_Little
gptkb:Avon_Barksdale
gptkb:Jimmy_Mc_Nulty
gptkb:Bunk_Moreland
|
|
gptkbp:finale_date
|
Episode 12: ' Mission Accomplished'
|
|
gptkbp:focuses_on
|
The drug trade
|
|
gptkbp:follows
|
gptkb:The_Wire:_Season_2
|
|
gptkbp:genre
|
Crime drama
|
|
gptkbp:influenced_by
|
Social commentary
Documentary style
Urban studies
Real-life events
Character-driven storytelling
|
|
gptkbp:language
|
English
|
|
gptkbp:network
|
gptkb:musical_group
|
|
gptkbp:notable_story_arc
|
The political landscape
|
|
gptkbp:number_of_episodes
|
gptkb:12
Episode 1: ' Time After Time'
|
|
gptkbp:part_of
|
gptkb:The_Wire
|
|
gptkbp:precedes
|
gptkb:The_Wire:_Season_4
|
|
gptkbp:production_company
|
gptkb:Blown_Deadline_Productions
gptkb:musical_group
|
|
gptkbp:release_date
|
2004-09-19
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
|
|
gptkbp:set_in
|
gptkb:Baltimore
|
|
gptkbp:themes
|
gptkb:historical_event
Community issues
Political maneuvering
Power dynamics
Law enforcement challenges
|
|
gptkbp:viewership
|
Critical acclaim
Cult following
|