|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:theater
gptkb:television
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1997
|
|
gptkbp:adapted_into
|
gptkb:theater
gptkb:novel
gptkb:film
|
|
gptkbp:author
|
gptkb:Henry_James
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:conflict
|
external
internal
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:director
|
gptkb:Iain_Softley
|
|
gptkbp:film
|
gptkb:Elizabeth_Mc_Govern
gptkb:Helena_Bonham_Carter
gptkb:Linus_Roache
|
|
gptkbp:film_awards
|
gptkb:Academy_Awards
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
|
|
gptkbp:film_editing
|
gptkb:BBC
|
|
gptkbp:first_published
|
1902
|
|
gptkbp:genre
|
gptkb:drama
literary fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Wings of the Dove
|
|
gptkbp:influences
|
naturalism
realism
|
|
gptkbp:inspiration
|
Henry James's experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
explores human relationships
examines morality
depicts social dynamics
|
|
gptkbp:main_character
|
gptkb:Merton_Densher
gptkb:Millie_Theale
gptkb:Kate_Croy
|
|
gptkbp:motif
|
gptkb:social_class
gptkb:deception
illness
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_work
|
gptkb:Henry_James
|
|
gptkbp:published
|
1902
|
|
gptkbp:published_by
|
gptkb:Charles_Scribner's_Sons
|
|
gptkbp:published_in
|
1902
|
|
gptkbp:publisher
|
gptkb:Charles_Scribner's_Sons
|
|
gptkbp:release_year
|
gptkb:2019
|
|
gptkbp:set_in
|
gptkb:London
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:symbolism
|
gptkb:Dove
gptkb:sacrifice
money
|
|
gptkbp:television_adaptation_stars
|
gptkb:Jenna_Coleman
gptkb:Matthew_Goode
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:wealth
love
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:wealth
love
|
|
gptkbp:viewpoint
|
omniscient
|
|
gptkbp:written_by
|
gptkb:Henry_James
|
|
gptkbp:bfsParent
|
gptkb:Henry_James
gptkb:Marge
|
|
gptkbp:bfsLayer
|
4
|