|
gptkbp:instance_of
|
gptkb:band
gptkb:musical_group
gptkb:film
|
|
gptkbp:active_years
|
2010-present
|
|
gptkbp:adapted_into
|
original screenplay
|
|
gptkbp:album
|
gptkb:Cheers
gptkb:The_Wild_Reeds
The World We Built
|
|
gptkbp:associated_act
|
gptkb:The_Oh_Hellos
gptkb:Dr._Dog
gptkb:The_Staves
|
|
gptkbp:awarded_by
|
gptkb:César_Award_for_Best_Supporting_Actor
|
|
gptkbp:awards
|
gptkb:LA_Music_Awards
gptkb:Best_Director
gptkb:Independent_Music_Awards
gptkb:International_Songwriting_Competition
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:cinematography
|
Julien Hirsch
|
|
gptkbp:collaborations
|
The Wild Reeds & Friends
The Wild Reeds with The Oh Hellos
The Wild Reeds with The Staves
The Wild Reeds with other indie artists
|
|
gptkbp:composer
|
gptkb:Alexandre_Desplat
|
|
gptkbp:contains
|
gptkb:Élodie_Bouchez
gptkb:Gaël_Morel
gptkb:François_Cluzet
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:depicts
|
youth culture
|
|
gptkbp:directed_by
|
gptkb:André_Téchiné
|
|
gptkbp:director
|
gptkb:André_Téchiné
|
|
gptkbp:discusses
|
gptkb:Community_Center
social issues
family dynamics
|
|
gptkbp:distribution
|
gptkb:Miramax_Films
|
|
gptkbp:distributor
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:explores
|
sexual identity
|
|
gptkbp:features
|
multiple perspectives
coming-of-age themes
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:follows
|
a group of friends
|
|
gptkbp:formed
|
gptkb:2010
|
|
gptkbp:genre
|
gptkb:High_School
folk rock
indie folk
|
|
gptkbp:has_song
|
gptkb:Alexandre_Desplat
|
|
gptkbp:has_theme
|
gptkb:TV_series
gptkb:acceptance
gptkb:loss
love
self-discovery
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Wild Reeds
|
|
gptkbp:influences
|
gptkb:Fleetwood_Mac
gptkb:The_Civil_Wars
gptkb:Simon_&_Garfunkel
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
|
gptkbp:is_cited_in
|
film studies
cinema history
LGBTQ+ studies
coming-of-age literature
French cultural studies
|
|
gptkbp:is_influential_in
|
LGBTQ+ film history
|
|
gptkbp:is_part_of
|
French cinema
|
|
gptkbp:is_recognized_by
|
critics
|
|
gptkbp:is_recognized_for
|
its storytelling
its emotional depth
its character development
its cinematography
its artistic direction
|
|
gptkbp:label
|
gptkb:Mama_Bird_Recording_Co.
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:main_character
|
gptkb:Laura
gptkb:Christophe
Maïté
|
|
gptkbp:members
|
gptkb:Mackenzie_Howe
gptkb:Kaitlyn_Raitz
gptkb:Jenna_Mc_Swain
Sharon Silva
|
|
gptkbp:music_video
|
gptkb:The_Letter
gptkb:All_the_Good_Things
gptkb:The_Time_Is_Now
gptkb:I_Don't_Wanna_Be_Alone
Only Songs
The World We Built
|
|
gptkbp:notable_for
|
its portrayal of LGBTQ+ relationships
|
|
gptkbp:notable_performance
|
gptkb:The_Troubadour
gptkb:The_Echo
gptkb:The_Roxy_Theatre
gptkb:CEO
gptkb:The_Hotel_Cafe
|
|
gptkbp:notable_song
|
gptkb:The_Letter
gptkb:All_the_Good_Things
gptkb:The_Time_Is_Now
gptkb:I_Don't_Wanna_Be_Alone
Only Songs
|
|
gptkbp:origin
|
gptkb:Los_Angeles,_California
|
|
gptkbp:produced_by
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:rating
|
85%
|
|
gptkbp:received
|
critical acclaim
|
|
gptkbp:release_date
|
May 1994
|
|
gptkbp:release_year
|
gptkb:1994
|
|
gptkbp:released_in
|
gptkb:1994
|
|
gptkbp:runtime
|
115 minutes
116 minutes
|
|
gptkbp:screenings
|
gptkb:film_festival
gptkb:Berlin_International_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
film festivals
|
|
gptkbp:screenplay_by
|
gptkb:André_Téchiné
|
|
gptkbp:set_in
|
gptkb:Monarch
the 1960s
the summer of 1962
|
|
gptkbp:setting
|
gptkb:Monarch
|
|
gptkbp:social_media
|
gptkb:Instagram
gptkb:Twitter_account
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:Community_Center
sexuality
|
|
gptkbp:website
|
thewildreeds.com
|
|
gptkbp:winner
|
several awards
|
|
gptkbp:bfsParent
|
gptkb:festival
gptkb:Eddie_Vedder
gptkb:Alison_Krauss
gptkb:The_Byrds
gptkb:Mavis_Staples
gptkb:Yoshitomo_Nara
|
|
gptkbp:bfsLayer
|
3
|