gptkbp:instance_of
|
gptkb:song
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gptkbp:bfsLayer
|
6
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gptkbp:bfsParent
|
gptkb:The_Dungeon_Family:_The_Collection
gptkb:The_Best_of_No_Limit_Records_Vol._11
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gptkbp:album
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gptkb:Rosa_Parks
gptkb:B._O._B.
gptkb:battle
gptkb:Big_Boi_and_Dre_Present..._Out_Kast
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gptkbp:artist
|
gptkb:Out_Kast
gptkb:Killer_Mike
|
gptkbp:audience
|
Well received
|
gptkbp:awards
|
gptkb:award
|
gptkbp:chart_position
|
#10 on Billboard Hot 100
|
gptkbp:collaborations
|
Out Kast and Killer Mike
|
gptkbp:critical_reception
|
Positive
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gptkbp:cultural_impact
|
gptkb:Significant
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gptkbp:genre
|
Hip hop
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Whole World (Live)
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gptkbp:impact
|
Cultural significance
|
gptkbp:influenced_artists
|
Various hip hop artists
|
gptkbp:influenced_by
|
Hip hop culture
|
gptkbp:influences
|
Southern hip hop
|
gptkbp:inspired_by
|
gptkb:Social_issues
|
gptkbp:is_a_venue_for
|
Various venues
|
gptkbp:label
|
gptkb:La_Face_Records
|
gptkbp:legacy
|
Enduring popularity
|
gptkbp:length
|
4:00
|
gptkbp:live_performance
|
gptkb:2001_Grammy_Awards
|
gptkbp:lyricist
|
gptkb:André_3000
gptkb:Antwan_Patton
|
gptkbp:music_style
|
Alternative hip hop
Live instrumentation
|
gptkbp:music_video
|
gptkb:battle
|
gptkbp:music_video_director
|
gptkb:Bryan_Barber
|
gptkbp:notable_performance
|
gptkb:2001_Grammy_Awards_performance
gptkb:Killer_Mike
|
gptkbp:notable_song
|
" The whole world is watching"
|
gptkbp:performance
|
gptkb:musical
|
gptkbp:producer
|
gptkb:Earthtone_III
|
gptkbp:record_label
|
gptkb:La_Face_Records
|
gptkbp:recording_location
|
gptkb:Stankonia_Studios
|
gptkbp:release_format
|
gptkb:single
|
gptkbp:release_year
|
gptkb:2001
|
gptkbp:sound
|
Experimental
|
gptkbp:themes
|
gptkb:aircraft
Social commentary
|
gptkbp:writer
|
gptkb:André_3000
gptkb:Antwan_Patton
|
gptkbp:year_composed
|
gptkb:2001
|