|
gptkbp:instance_of
|
gptkb:album
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:printer
gptkb:The_Who
|
|
gptkbp:album
|
gptkb:Armenia_City_in_the_Sky
gptkb:album
Rael 1 & 2
satirical advertisements
|
|
gptkbp:artist
|
gptkb:The_Who
|
|
gptkbp:associated_act
|
gptkb:The_High_Numbers
gptkb:Quadrophenia
gptkb:The_Who's_Next
gptkb:The_Detours
|
|
gptkbp:associated_band
|
gptkb:John_Entwistle
gptkb:Keith_Moon
gptkb:Pete_Townshend
gptkb:Roger_Daltrey
|
|
gptkbp:available_formats
|
CD
digital download
|
|
gptkbp:chart_performance
|
gptkb:UK_Albums_Chart
gptkb:US_Billboard_200
|
|
gptkbp:chart_position
|
#13 on UK Albums Chart
#48 on US Billboard 200
1 in the UK Albums Chart
13 in the US Billboard 200
|
|
gptkbp:collaborations
|
gptkb:John_Entwistle
gptkb:Keith_Moon
gptkb:Pete_Townshend
gptkb:Roger_Daltrey
|
|
gptkbp:cover_art
|
gptkb:Peter_Blake
gptkb:David_Anstey
gptkb:Roger_Daltrey
The Who Sell Out cover art
Artwork by David King
|
|
gptkbp:covered_by
|
I Can See for Miles by The Who
Mary Anne with the Shaky Hand by The Who
Odorono by The Who
Tattoo by The Who
|
|
gptkbp:critical_reception
|
Positive reviews
positive
generally positive
|
|
gptkbp:cultural_impact
|
influenced alternative rock
influential in rock music
considered a classic
featured in various media
influenced punk rock
Cited by many artists
influential in rock music history
Influenced punk rock
influential in concept albums
influential in satirical music
|
|
gptkbp:cultural_significance
|
satirical commentary on advertising
|
|
gptkbp:documentary
|
gptkb:The_Who:_The_Singles
gptkb:The_Who:_Live_at_the_Isle_of_Wight_Festival_1970
|
|
gptkbp:followed_by
|
gptkb:Tommy
|
|
gptkbp:genre
|
gptkb:band
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Who Sell Out
|
|
gptkbp:impact
|
influenced punk rock
|
|
gptkbp:influenced
|
gptkb:Blur
gptkb:Green_Day
gptkb:The_Libertines
gptkb:The_Sex_Pistols
gptkb:The_Strokes
gptkb:The_Jam
gptkb:The_Kinks
gptkb:band
gptkb:The_Clash
gptkb:Arctic_Monkeys
gptkb:beach
new wave
alternative rock
|
|
gptkbp:influenced_artists
|
gptkb:Blur
gptkb:The_Jam
gptkb:The_Kinks
gptkb:Radiohead
gptkb:Arctic_Monkeys
gptkb:beach
|
|
gptkbp:influenced_by
|
gptkb:The_Beach_Boys
gptkb:The_Rolling_Stones
gptkb:The_Kinks
gptkb:British_Invasion
gptkb:The_Beatles
|
|
gptkbp:influences
|
gptkb:album
Concept album
|
|
gptkbp:inspired_by
|
gptkb:British_Invasion
pop art
Mod culture
|
|
gptkbp:is_featured_in
|
Rolling Stone's 500 Greatest Albums of All Time
NME's 500 Greatest Albums of All Time
The Who documentary
|
|
gptkbp:label
|
Track Records
|
|
gptkbp:legacy
|
Considered a classic
Included in best album lists
|
|
gptkbp:length
|
39:23
|
|
gptkbp:live_performance
|
Performed at the Royal Albert Hall
Performed at Woodstock
Performed at the Isle of Wight Festival
Performed at the Fillmore
|
|
gptkbp:lyricist
|
gptkb:John_Entwistle
gptkb:Keith_Moon
gptkb:Pete_Townshend
gptkb:Roger_Daltrey
|
|
gptkbp:music_style
|
mod rock
|
|
gptkbp:notable_tracks
|
gptkb:printer
gptkb:I_Can_See_for_Miles
gptkb:Mary_Anne_with_the_Shaky_Hand
gptkb:Odorono
Our Love Was, Is
|
|
gptkbp:preceded_by
|
A Quick One
|
|
gptkbp:producer
|
gptkb:Kit_Lambert
|
|
gptkbp:record_label
|
gptkb:Polydor_Records
|
|
gptkbp:recording_location
|
gptkb:IBC_Studios,_London
gptkb:De_Lane_Lea_Studios
gptkb:IBC_Studios
|
|
gptkbp:release_date
|
1967-04-07
1967-12-15
|
|
gptkbp:release_format
|
gptkb:Vinyl
CD
LP
vinyl
|
|
gptkbp:release_year
|
gptkb:1967
|
|
gptkbp:released
|
gptkb:1967
|
|
gptkbp:remastered
|
gptkb:battle
2009 remaster
2014 reissue
|
|
gptkbp:reunion
|
2009 remastered edition
2014 deluxe edition
|
|
gptkbp:theme
|
commercialism
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:battle
Pop culture
pop culture
youth culture
Commercialism
commercialism
|
|
gptkbp:track_count
|
varied
|
|
gptkbp:year_composed
|
gptkb:1967
|