Statements (102)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
6
|
| gptkbp:bfsParent |
gptkb:The_Bride_with_White_Hair
|
| gptkbp:adaptation |
gptkb:theatre
Television series adaptations. |
| gptkbp:art_style |
Traditional Chinese aesthetics
|
| gptkbp:audience |
Cult following
Cult following. |
| gptkbp:awards |
Best Film at the 1951 Golden Rooster Awards
|
| gptkbp:based_on |
gptkb:mythological_figure
|
| gptkbp:box_office |
Moderate success
Successful in China. |
| gptkbp:character |
The Mentor.
The Hero. The Sidekick. The Villain. The White Haired Bride. |
| gptkbp:character_appearance |
Period costumes
|
| gptkbp:character_arc |
The bride's journey of resilience.
Transformation of the bride |
| gptkbp:character_development |
The transformation of the bride.
The White Haired Bride's journey |
| gptkbp:character_relationships |
Love story
Naivety of the bride |
| gptkbp:cinematography |
gptkb:Zhang_Yimou
Liang Zhenhua |
| gptkbp:color |
black and white
|
| gptkbp:conflict |
Societal expectations
|
| gptkbp:country |
gptkb:China
|
| gptkbp:critical_reception |
Positive reviews
Positive reviews for performances. |
| gptkbp:cultural_impact |
Influence on Chinese culture
Symbol of love in Chinese culture. |
| gptkbp:cultural_references |
Chinese traditions
Referenced in literature. Referenced in music. Referenced in art. Referenced in dance. Referenced in theater. |
| gptkbp:cultural_significance |
Chinese revolutionary cinema
Chinese cinema history |
| gptkbp:director |
gptkb:Wang_Ping
|
| gptkbp:distributor |
gptkb:China_Film_Group_Corporation
|
| gptkbp:editor |
gptkb:Zhang_Yimou
|
| gptkbp:famous_quote |
Love conquers all.
|
| gptkbp:film_festival |
gptkb:film_festival
Cannes Film Festival. |
| gptkbp:filming_location |
gptkb:China
Yunnan Province. |
| gptkbp:filmography |
Melodrama.
Use of shadows |
| gptkbp:genre |
gptkb:High_School
|
| gptkbp:historical_context |
Set during the Chinese Civil War.
Post-revolution China |
| https://www.w3.org/2000/01/rdf-schema#label |
The White Haired Bride
|
| gptkbp:influence |
Inspired many artists.
|
| gptkbp:influenced |
Asian cinema.
Modern Chinese cinema. Chinese romantic films |
| gptkbp:influenced_by |
gptkb:opera
gptkb:mythological_figure Chinese operas |
| gptkbp:inspiration |
gptkb:The_White_Haired_Girl
gptkb:The_Legend_of_the_White_Haired_Girl |
| gptkbp:is_motivated_by |
Desire for love
|
| gptkbp:is_symbolic_of |
White hair as wisdom
|
| gptkbp:language |
gptkb:Mandarin
|
| gptkbp:legacy |
Influence on later films
Influence on later Chinese films. |
| gptkbp:main_character |
gptkb:The_White_Haired_Bride
|
| gptkbp:music_by |
Zhang Ming
Liu Wenjin |
| gptkbp:narrative_style |
Linear storytelling
|
| gptkbp:notable_appearance |
The final confrontation.
The wedding scene The wedding scene. The reunion scene. The escape scene. The sacrifice scene. |
| gptkbp:notable_for |
Cinematography
|
| gptkbp:official_language |
Chinese.
|
| gptkbp:plot |
A love story set against a backdrop of conflict.
|
| gptkbp:premiere |
1950 Beijing Film Festival
|
| gptkbp:production_company |
gptkb:China_Film_Group_Corporation
|
| gptkbp:release_date |
1950-01-01
|
| gptkbp:release_year |
1950
|
| gptkbp:remake |
gptkb:The_White_Haired_Girl
gptkb:2000 The White Haired Girl (musical) The White Haired Girl. Zhang Yimou. |
| gptkbp:resolution |
Reunion of lovers
|
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenplay_by |
Zhang Shichuan
Zhang Shankun |
| gptkbp:setting |
gptkb:Ancient_China
|
| gptkbp:soundtrack |
Traditional Chinese music
|
| gptkbp:symbolism |
White hair symbolizes purity.
White hair as purity |
| gptkbp:themes |
Love and sacrifice
love and sacrifice |
| gptkbp:title |
白发魔女传.
|