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gptkbp:instance_of
|
gptkb:painting
gptkb:novel
|
|
gptkbp:acquisition
|
Gifted to the museum
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:art_movement
|
Tonalisme
|
|
gptkbp:art_style
|
gptkb:Symbolism
gptkb:Realism
|
|
gptkbp:artist
|
gptkb:James_Mc_Neill_Whistler
|
|
gptkbp:artistic_contribution
|
Contributed to the development of modern art
|
|
gptkbp:artistic_influence
|
Influenced the Ashcan School
Influenced the development of color theory
|
|
gptkbp:artistic_legacy
|
Influence on modern portraiture
|
|
gptkbp:artistic_philosophy
|
Art for art's sake
Belief in the importance of aesthetics
|
|
gptkbp:artistic_technique
|
gptkb:Chiaroscuro
|
|
gptkbp:artistic_vision
|
Capture the essence of the subject
Recognized as a leading figure in American art.
Widely regarded as a master
|
|
gptkbp:author
|
gptkb:John_Grisham
|
|
gptkbp:collection
|
Private collection
|
|
gptkbp:color_palette
|
Muted tones
|
|
gptkbp:criticism
|
gptkb:Robert_Hughes
|
|
gptkbp:cultural_impact
|
Symbol of American identity
|
|
gptkbp:cultural_significance
|
Represents American art in the 19th century
|
|
gptkbp:dimensions
|
60.3 cm × 50.2 cm
|
|
gptkbp:exhibited_at
|
gptkb:Paris_Salon
|
|
gptkbp:exhibition_history
|
Exhibited at the Royal Academy, London
|
|
gptkbp:exhibitor
|
gptkb:The_Royal_Academy
|
|
gptkbp:famous_for
|
Innovative use of color
|
|
gptkbp:followed_by
|
gptkb:Camino_Island
|
|
gptkbp:genre
|
legal thriller
|
|
gptkbp:has_reception
|
Mixed reviews at the time of creation
|
|
gptkbp:historical_context
|
Post-Civil War America
|
|
gptkbp:historical_significance
|
Pioneering American artist
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Whistler
|
|
gptkbp:influence
|
gptkb:Aesthetic_Movement
|
|
gptkbp:influenced_artists
|
gptkb:John_Singer_Sargent
|
|
gptkbp:influenced_by
|
gptkb:French_Impressionism
gptkb:Romanticism
gptkb:Japanese_art
Impressionist techniques
|
|
gptkbp:inspired_by
|
gptkb:Whistler's_mother
|
|
gptkbp:isbn
|
978-0385541180
|
|
gptkbp:language
|
English
|
|
gptkbp:location
|
gptkb:Museum_of_Fine_Arts,_Boston
|
|
gptkbp:main_character
|
gptkb:Lacy_Stoltz
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_awards
|
Gold Medal at the 1889 Exposition Universelle
|
|
gptkbp:notable_collaborations
|
Collaborated with other artists
|
|
gptkbp:notable_collection
|
gptkb:The_Tate,_London
|
|
gptkbp:notable_exhibitions
|
gptkb:The_1892_World's_Fair
gptkb:The_1900_Exposition_Universelle
|
|
gptkbp:notable_features
|
Use of color and light
Subtle brushwork
|
|
gptkbp:notable_guests
|
gptkb:Frederick_Leyland
|
|
gptkbp:notable_influence
|
Influenced by Edgar Degas
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:published
|
gptkb:2016
|
|
gptkbp:publisher
|
gptkb:Doubleday
|
|
gptkbp:related_works
|
gptkb:Arrangement_in_Grey_and_Black_No._1
|
|
gptkbp:setting
|
gptkb:Florida
|
|
gptkbp:style
|
gptkb:Impressionism
|
|
gptkbp:subject
|
Portrait of a woman
|
|
gptkbp:technique
|
gptkb:Alla_prima
|
|
gptkbp:themes
|
gptkb:justice
gptkb:corruption
gptkb:crime
Exploration of beauty
|
|
gptkbp:year_created
|
gptkb:1871
|
|
gptkbp:bfsParent
|
gptkb:John_Grisham
gptkb:Jethro_Tull
|
|
gptkbp:bfsLayer
|
4
|