|
gptkbp:instance_of
|
gptkb:artwork
gptkb:play
gptkb:film
|
|
gptkbp:action
|
five acts
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:stage_adaptation
gptkb:television_adaptation
gptkb:opera
gptkb:television
gptkb:film
|
|
gptkbp:adaptations
|
gptkb:film_adaptation
gptkb:television_adaptation
gptkb:television
gptkb:film
stage productions
|
|
gptkbp:adapted_into
|
gptkb:opera
gptkb:television
musicals
stage productions
|
|
gptkbp:art_style
|
symbolic
|
|
gptkbp:artist
|
gptkb:Lee_Ufan
|
|
gptkbp:author
|
gptkb:William_Congreve
|
|
gptkbp:awards
|
Best Experimental Film at the 2000 New York Film Festival
|
|
gptkbp:based_on
|
The Way of the World (play)
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
gptkb:Sir_Wilfull_Witwoud
gptkb:Lady_Wishfort
gptkb:Fainall
gptkb:Miss_Prue
gptkb:Waitwell
Petulant
Mr. Witwoud
Sir Rowland
Mrs. Marwood
|
|
gptkbp:character_development
|
complex characters
the theme of social status
Fainall's manipulation
Lady Wishfort's vanity
Millamant's independence
Mirabell's schemes
|
|
gptkbp:character_relationships
|
Fainall and Millamant
Lady Wishfort and Fainall
Lady Wishfort and Mirabell
Millamant and Lady Wishfort
Mirabell and Fainall
Mirabell and Millamant
Mirabell and Waitwell
Waitwell and Lady Wishfort
Waitwell and Mirabell
|
|
gptkbp:cinematography_by
|
gptkb:Matthew_Barney
gptkb:Isaac_Julien
|
|
gptkbp:collection
|
gptkb:Museum_of_Modern_Art
|
|
gptkbp:conflict
|
romantic entanglements
social maneuvering
|
|
gptkbp:contains_themes
|
gptkb:mythology
gptkb:identity
artistic expression
gender
|
|
gptkbp:country
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:Matthew_Barney
gptkb:David_Hammons
gptkb:Sherrie_Levine
|
|
gptkbp:critical_reception
|
Positive
mixed
well-received
|
|
gptkbp:cultural_impact
|
influenced later comedies
influenced modern comedies
influenced later playwrights
referenced in popular culture
performed in theaters worldwide
studied in literature courses
adapted into various media
influenced comedic writing
|
|
gptkbp:cultural_references
|
referenced in popular culture
referenced in literature
parodied in other works
|
|
gptkbp:cultural_significance
|
important work in English literature
exploration of gender roles
commentary on social norms
critique of marriage
|
|
gptkbp:directed_by
|
gptkb:Isaac_Julien
|
|
gptkbp:distributor
|
gptkb:Peccadillo_Pictures
gptkb:Artangel
|
|
gptkbp:edited_by
|
gptkb:Matthew_Barney
gptkb:Jasper_Gahunia
|
|
gptkbp:exhibited_at
|
Various galleries
|
|
gptkbp:exhibition
|
gptkb:Lee_Ufan_Museum
|
|
gptkbp:explores
|
the nature of reality
the concept of time
the human condition
the relationship between art and life
|
|
gptkbp:famous_quote
|
" The way of the world is to make promises to the future."
|
|
gptkbp:features
|
gptkb:Isabella_Rossellini
gptkb:Matthew_Barney
gptkb:Aimee_Mullins
|
|
gptkbp:features_artist
|
gptkb:performance_art
gptkb:sculpture
gptkb:installation_art
|
|
gptkbp:film_awards
|
gptkb:Audience_Award
gptkb:Best_Cinematography
gptkb:Best_Director
gptkb:Best_Editing
gptkb:Best_Original_Score
gptkb:Best_Production_Design
gptkb:Best_Visual_Effects
Best Costume Design
Best Short Film
Best Sound Design
|
|
gptkbp:filming_location
|
gptkb:Berlin
gptkb:London
gptkb:Los_Angeles
gptkb:New_York
gptkb:Paris
|
|
gptkbp:first_performance
|
gptkb:The_Theatre_Royal,_Drury_Lane
1700
|
|
gptkbp:follows
|
gptkb:Cremaster_Cycle
two lovers
|
|
gptkbp:genre
|
gptkb:comedy
gptkb:drama
gptkb:film
|
|
gptkbp:has_influence_on
|
gptkb:contemporary_art
gptkb:performance_art
gptkb:installation_art
film making
|
|
gptkbp:historical_context
|
gptkb:Restoration_England
Restoration period
the role of women in society
the rise of the middle class
post-Cromwell England
social change in the 17th century
the influence of the court of Charles II
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Way of the World
|
|
gptkbp:influence
|
gptkb:restoration_comedy
|
|
gptkbp:influenced_artists
|
gptkb:The_Way_of_the_World_(2000_film)
gptkb:The_Way_of_the_World_(2005_film)
gptkb:The_Way_of_the_World_(2010_play)
|
|
gptkbp:influenced_by
|
gptkb:Molière
gptkb:Ben_Jonson
gptkb:George_Etherege
gptkb:Postmodernism
surrealism
The Restoration period
Queer cinema
The Way of the World (play) by William Congreve
|
|
gptkbp:influences
|
gptkb:restoration_comedy
African American culture
|
|
gptkbp:inspiration
|
contemporary society
influenced modern comedies
inspired later playwrights
|
|
gptkbp:inspired_by
|
contemporary society
The Way of the World by William Congreve
|
|
gptkbp:is_available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:streaming_platforms
|
|
gptkbp:is_part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
performed worldwide
considered a classic
studied in drama schools
|
|
gptkbp:literary_significance
|
important work in English literature
considered a classic
examines human behavior
uses wit and humor
|
|
gptkbp:main_character
|
gptkb:Millamant
gptkb:Mirabell
|
|
gptkbp:medium
|
gptkb:installation_art
mixed media
|
|
gptkbp:music_by
|
gptkb:Jasper_Gahunia
gptkb:Carter_Burwell
|
|
gptkbp:music_style
|
gptkb:satire
farce
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_cast
|
gptkb:Tom_Hollander
gptkb:Michele_Dotrice
gptkb:Ruth_Negga
gptkb:Zoe_Wanamaker
gptkb:Sophie_Okonedo
gptkb:Derek_Jacobi
gptkb:T'_Keyah_Crystal_Keymah
gptkb:Mimi_Ndiweni
Michele Austin
|
|
gptkbp:notable_character
|
gptkb:Millamant
gptkb:Mirabell
gptkb:Sir_Wilfull_Witwoud
gptkb:Lady_Wishfort
gptkb:Fainall
gptkb:Waitwell
|
|
gptkbp:notable_characters
|
gptkb:Millamant
gptkb:Mirabell
gptkb:Sir_Wilfull_Witwoud
gptkb:Lady_Wishfort
gptkb:Fainall
gptkb:Waitwell
|
|
gptkbp:notable_performance
|
gptkb:Broadway
National Theatre production
Royal Shakespeare Company production
|
|
gptkbp:notable_performances
|
gptkb:Royal_National_Theatre
gptkb:West_End_productions
Broadway productions
|
|
gptkbp:notable_production
|
2015 revival
2000 revival
1970 production
1950 production
1920 production
1930 production
1940 production
1963 production
1981 production
1999 production
|
|
gptkbp:notable_quote
|
" The world is a stage, and we are merely players."
" I am not a man to be trifled with."
" Love is a kind of madness."
" The way of the world is to make promises to the world and then break them."
" Love is a kind of warfare."
" The way of the world is to make promises to the future."
" I will not be a slave to my passions."
" The way of the world is to make a fool of you."
" The way of the world is to make promises to the world."
" I am not a fool, but I am a woman."
|
|
gptkbp:notable_themes
|
gptkb:feminism
wit and humor
courtship
|
|
gptkbp:number_of_acts
|
five
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performance
|
frequently performed
performed frequently
performed in various languages
revived multiple times
adapted for radio
revived frequently
adapted for modern audiences
performed in regional theaters
performed in the West End
performed on Broadway
|
|
gptkbp:performance_tradition
|
performed frequently
often studied in drama courses
part of theatre repertoire
|
|
gptkbp:premiere
|
gptkb:2008_Venice_Film_Festival
|
|
gptkbp:premiere_location
|
gptkb:The_Theatre_Royal,_Drury_Lane
|
|
gptkbp:premiered_on
|
gptkb:2000_Venice_Biennale
1700
|
|
gptkbp:produced_by
|
gptkb:Matthew_Barney
gptkb:Isaac_Julien
|
|
gptkbp:production_company
|
gptkb:Artangel
|
|
gptkbp:published
|
1700
|
|
gptkbp:published_by
|
gptkb:Jacob_Tonson
|
|
gptkbp:published_in
|
1700
|
|
gptkbp:publisher
|
gptkb:Jacob_Tonson
|
|
gptkbp:release_year
|
gptkb:2000
gptkb:2008
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:scholarly_analysis
|
analyzed in literature courses
interpreted through feminist lenses
discussed in gender studies
examined for its character dynamics
analyzed for its wit
discussed for its social commentary
studied for its narrative structure
examined in social commentary
|
|
gptkbp:screenplay_by
|
gptkb:Isaac_Julien
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:structure
|
five acts
|
|
gptkbp:style
|
satirical
|
|
gptkbp:symbolism
|
gptkb:mythological_figure
gptkb:cultural_icon
personal experiences
historical references
deception and disguise
the marriage market
|
|
gptkbp:theme
|
gptkb:marriage
gptkb:Nature_and_Space
gptkb:social_class
gptkb:deception
love
|
|
gptkbp:themes
|
gptkb:marriage
gptkb:power
gptkb:class
gptkb:Love
gptkb:race
gptkb:Betrayal
gptkb:social_class
gptkb:deception
gptkb:identity
gptkb:society
social commentary
|
|
gptkbp:type
|
gptkb:installation_art
gptkb:photographs
|
|
gptkbp:written_by
|
gptkb:William_Congreve
|
|
gptkbp:year_created
|
gptkb:2000
gptkb:2007
|
|
gptkbp:bfsParent
|
gptkb:Michael_Brecker
gptkb:Richard_Burton
gptkb:Wayne_Shorter
gptkb:Mack_Avenue_Records
gptkb:The_Angels
gptkb:The_Bouncing_Souls
gptkb:The_Lone_Bellow
gptkb:The_Oh_Hellos
gptkb:Natsume_Sōseki
gptkb:Chris_Potter
gptkb:Kara_Walker
gptkb:Russell_Crowe
gptkb:Willa_Cather
gptkb:Robert_P._George
gptkb:The_Tallest_Man_on_Earth
gptkb:Earth,_Wind_&_Fire
gptkb:Renee_Rosnes
gptkb:Bone_Thugs-n-Harmony
gptkb:Gareth_Emery
gptkb:Henry_Vaughan
gptkb:Taylor_Hicks
gptkb:The_Vivo_(film)
|
|
gptkbp:bfsLayer
|
4
|